Robert Greenberg

Historian, Composer, Pianist, Speaker, Author

Archive for San Francisco Performances – Page 27

Music History Monday: Joaquin and Lester

Today we recognize the birth and the death of two musical masters from entirely different times and places who nevertheless, by the most extraordinary of coincidences, share the same nickname: the jazz tenor saxophonist Lester “Prez” Young and the Franco-Flemish composer Josquin “des Prez” Lebloitte. Lester “Prez” Young Lester Willis Young was born on August 27, 1909 – 109 years ago today – in Woodland, Mississippi. He was the consummate jazz hipster, who played “cool” long before “cool jazz” was recognized as a genre of jazz. Known in particular for his long association with Billie Holiday, Lester Young died on March 15, 1959, at the age of 49. Josquin des Prez Josquin des Prez (or “Desprez”; we will talk about the surname Lebloitte in a moment) was born circa 1450 and died on August 27, 1521: 497 years ago today. He was, simply, the greatest and most respected composer of his time. That he is not still a musical household name speaks to the fickleness of history and not to his music, which is superb. Josquin was the first composer to become a legend after his death, the first to have his music widely disseminated thanks to the newly invented […]

Continue Reading

Music History Monday: Firsts!

There are “firsts” and then there are firsts. The first person to eat sliced bread? No big deal.  But the first person to eat an artichoke (which is, let’s be honest, a giant freaking thorn)? That took guts; that’s a first. The first person to moonwalk? (That would be the bandleader Cab Calloway, who invented the move in the mid 1930s and called it “the Buzz.”) Admirable, but really not a particularly big deal.  The first person to walk on the moon (Neil Armstrong; July 20, 1969)? One of the most epic firsts in the history of humankind. Let’s discuss another of the most epic firsts in all of human history: the first person to compose a complete opera.  That event occurred in the city of Florence in 1600, and that person was the singer, actor, organist and composer Jacopo Peri, who was born in Rome on August 20, 1561, 457 years ago today. Happy birthday, Maestro! Admittedly, there were numerous other composers of theatrical music active in Florence at the time, and the names Giulio Caccini and Emilio de’ Cavalieri have also been bandied about as possible “originators” of opera.  But Peri must receive the credit because of his […]

Continue Reading

Music History Monday: My Favorite Things!

A little inside information about me. Since I was a kid, I have loved architecture and home design magazines: house porn, to be honest. The one constant in my reading has been Architectural Digest, to which I’ve been addicted since I was a teenager. Other mags have floated in and out of my consciousness over the years, including one called “Metropolitan Home”, to which I subscribed for many years (but no more; there’ just so much time for mags, I’m afraid). “Is this going somewhere” you ask? Yes: bear with me… “Metropolitan Home” had a regular feature (perhaps it still does) in which a designer would be asked to identify “the 10 things you cannot live without;” basically “your favorite things”. These good people would vie with each other to come up with the coolest, hippest, most sophisticated things-they-could-not-live-without: the caviar and lobster frittata at the Revo Café in Dubai; “my platinum Faberge cuticle scissors”; vicuna cashmere scarves: “my Swarovski crystal-studded Lixil Satis Smart Toilet” (this can be yours as well for just 130k);“my solar-powered Black & Decker Nose Hair Trimmer”, and so forth. (As best as I can recall, not one of those questioned ever came up with any of […]

Continue Reading

Music History Monday: Chubby Checker, Dick Clark, and the Power of the Tube!

On this day 58 years ago – August 6, 1960 – the 18 year-old singer and dancer Chubby Checker performed The Twist on American TV for the first time on the rock ‘n’ roll variety show American Bandstand. For reasons we will discuss, American Bandstand was, both artistically and socially, one of the most important programs ever broadcast on television. It aired for an incredible 37 seasons, from October 7, 1952 (when Harry Truman was President of the United States) until October 7, 1989 (three years before the election of Bill Clinton). (In case you were wondering, the longest-running television show of any kind, anywhere, is NBC’s Meet the Press, which made its debut on November 6, 1947; it has run continuously for 70 years and 9 months!) In its 37-year run, some 3000 episodes of American Bandstand were produced.  From 1952 until 1964, the showwasfilmed in Philadelphia at the studios of WFIL, the local ABC affiliate. (That would have been channel 6; having grown up in South Jersey watching Philadelphia TV, it was one of the three network channels we received, along with WCAU – channel 10, which was then the CBS affiliate – and KYW, channel 3, which was […]

Continue Reading

Music History Monday: Domenico Scarlatti

We mark the death of the composer Domenico Scarlatti 261 years ago today, on July 23, 1757 in the Spanish capital of Madrid. The year 1685 was something of an annus mirabilis – a “miraculous year” – in the history of Western music as it saw the births of three of the greatest composers ever to grace our planet. On February 23, 1685, George Frederick Handel was born in the central German city of Halle. Thirty-six days later, on March 31, Johann Sebastian Bach was born some 60 miles away, in the central German city of Eisenach. Just under seven months after that, on October 26, Domenico Scarlatti was born in the Italian city of Naples. What a year! Some would take me to task for lumping Scarlatti together with Handel and Bach. (And in truth, we must be careful about lumping anyone together with Sebastian Bach, Handel included.) But having said that, we are not going to diminish one composer’s greatness by cudgeling him with that of another, because any way we spell it, Domenico Scarlatti was, bless him, a great composer. We would further observe that musically, Scarlatti did something that neither Bach nor Handel did: neither Bach […]

Continue Reading

Music History Monday: Jean-Jacques Rousseau and Enlightened Opera

240 years ago today – on July 2, 1778 – the Swiss-born philosopher, novelist, educator, music theorist and critic, and composer Jean-Jacques Rousseau died at age 66 in the township of Ermenonville, roughly 25 miles north-east of Paris. Rousseau was one of the greatest and most significant thinkers ever born to our species. According to Will and Ariel Durant, writing in their book Rousseau and Revolution, Rousseau: “transformed education, elevated the morals of France[!], inspired the Romantic movement and the French Revolution, influenced the philosophy of Kant and Schopenhauer, the plays of Schiller, the novels of Goethe, the poems of Wordsworth, Byron, and Shelley, the socialism of Marx, the ethics of Tolstoy, and, altogether, had more effect upon posterity than any other writer or thinker of that eighteenth century in which writers were more influential than they had ever been before.” Rousseau also helped to redefine the role and substance of opera at a time when opera – like movies and television today – was not just a form of entertainment but both a reflection and a driver of the political and social values of its time. A little background Opera was invented in Florence Italy around 1600 as a […]

Continue Reading

Music History Monday: The Firebird

On June 25, 1910 – 108 years ago today – Igor Stravinsky’s The Firebird received its premiere at the Paris Opera House, in a ballet performance produced by Serge Diaghilev, staged by the Ballets Russes, and conducted by Gabriel Pierné. With choreography by Michel Fokine and the Firebird herself danced by the great Tamara Karsavina, The Firebird was a smash, a sensation, a runaway hit from the first. The not-quite 28-year-old Stravinsky was hailed as the successor to the Moguchaya Kuchka, the Russian Five, the group of nineteenth-century composers who put Russian nationalist music on the international musical map: Mily Balakirev, Cesar Cui, Modest Musorgsky, Alexander Borodin, and Nicolai Rimsky-Korsakov. Writing in the Nouvelle Revue française, the critic Henri Ghéon called The Firebird: “the most exquisite marvel of equilibrium that we have ever imagined between sounds, movements, and forms: [a] danced symphony.” There’s no need to quote additional reviews, because one after the other, they echo the one just quoted. Thanks to The Firebird’s triumph, the young Stravinsky instantly became the star composer of Diaghilev’s Ballets Russes, in which capacity he would turn out the magnificent Petrushka in 1911 and the seminal The Rite of Spring in 1913. The Firebird is […]

Continue Reading

Music History Monday: There’s No Software Without the Hardware!

Today we celebrate the birthday of the piano builder and composer Ignaz Joseph Pleyel, who was born in Ruppertsthal, Austria on June 18, 1757: 261 years ago today. It’s entirely understandable if you’ve never heard of Pleyel or his music, because his music – despite being extremely attractive and technically sound – has fallen into almost total obscurity. But if one had to pick a single, “most popular composer” in the years between 1800 and 1820, it would be Pleyel: more popular than Haydn, than Mozart, and yes, most certainly more popular that that curmudgeon Beethoven. A review published in 1791 in the Morning Herald of London states that Pleyel: “is becoming even more popular than his master [Haydn], as his works are characterized less by the intricacies of science.” (The reviewer is saying that because Pleyel’s music was easier to play and less complicated – less “scientific” – than Haydn’s, Pleyel was attracting a wider popular base than Haydn.) In Brussels, the contemporary and most influential music critic, musicologist, composer, and teacher François-Joseph Fétis outright marveled at Pleyel’s popularity, writing: “What composer ever created more of a craze than Pleyel? Who enjoyed a more universal reputation or a more absolute […]

Continue Reading

Music History Monday: Richard Strauss

We celebrate the birth of the composer Richard Strauss, who was born on June 11, 1864, 154 years ago today. I will pull no punches here: in my humble (but happily expressed) opinion, Richard Strauss was one the greatest composers of the nineteenth and twentieth centuries. He was a melodist and musical dramatist on near par with Mozart, which is, I think, just about the highest compliment any composer can be paid. His brilliant (though, admittedly, sometimes sprawling) tone poems – From Italy, Don Juan, Macbeth, Death and Transfiguration, Till Eulenspiegel’s Merry Pranks, Thus Spoke Zarathustra, Don Quixote, A Hero’s Life, Domestic Symphony, and An Alpine Symphony – constitute, virtually, a genre of experimental music of their own. His superb operas pick up from where Richard Wagner’s “music dramas” leave off, which inspired the wags of his time to call Strauss “Richard II”. He continued to turn out masterworks until the very end of his long life; his exquisite Oboe Concerto (1945) and Metamorphosen for strings (also 1945) were composed when he was 81; his Four Last Songs (1948) was composed when he was 84. In 1947, the 83 year-old Strauss declared with typical self-deprecation: “I may not be a […]

Continue Reading

Music History Monday: Serge Koussevitzky and What it Takes to Be a Special Person!

If I were a rich man, yabba-dabba-dabba yabba-dabba-dabba-daba-doo… Now look, I will be the first to acknowledge how lucky I am: in a world filled with want and poverty, my family and I live in the greatest of comfort. (The old joke must be told. The flight attendant settles an elderly gentleman into his seat and asks, “are you comfortable?” He replies with a shrug, “I make a living.”) 
 My domestic comfort notwithstanding, my wife and I work very hard, and as neither of us has a pension beyond our self-employment IRAs, and as we have relatively young children (7 and 11 years old) who (or so I’m told) need to be fed, clothed, and educated, we worry about money. Yes, we are aware that “money can’t buy you love.” But it can buy you just about everything else, including freedom from worry, and that – in a nutshell – is 50% of my definition of what it is to be monetarily rich: never having to worry about money. The other 50% of my definition of what it is to be rich is to have so much money that it becomes imperative to give it away. I am about […]

Continue Reading