Robert Greenberg

Historian, Composer, Pianist, Speaker, Author

Archive for San Francisco Performances

Music History Monday: Fake It ‘til You Make It

We mark the birth of the Russian composer Nikolai Andreyevich Rimsky-Korsakov on March 18, 1844: 180 years ago today.  Born in the Russian town of Tikhvin – roughly 120 miles east of St. Petersburg – Rimsky-Korsakov died at the age of 64, on June 21, 1908, on his estate near the Russian town of Luga, about 85 miles south of St. Petersburg Fake It ‘til You Make It Like most kids growing up, I had various assumptions about grownups (i.e. “adults”).  As someone who has now – presumably – been an adult for very nearly a half of a century, I have learned that my assumptions – a few of which I’ve listed below – were all crazy wrong. Assumption one: at around 21, we cross the line into adulthood.   Wrong.  There are no such “lines”; we’re all changing, all the time. Assumption two: adults are emotionally mature. Wrong.  Physically, yes, I’m pushing seventy.  Emotionally? I’m roughly fifteen. On a good day. Assumption three: adults know what they’re doing. Really?  Adults only “know” what they’re doing (if they ever learn what their “doing” at all) after they’ve been doing it for decades.  Until then, they are apprentices, “learning on […]

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Music History Monday: An Opera Profane and Controversial: Verdi’s Rigoletto

We mark the first performance on March 11, 1851 – 173 years ago today – of Giuseppe Verdi’s opera Rigoletto at Venice’s storied Teatro la Fenice: The Phoenix Theater. We set the scene.   The year was 1849.  Giuseppe Fortunino Francesco Verdi (1813-1901) was – at the age of 36 – the most famous and popular composer of opera living and working in Italy.   Living in his hometown of Busseto, in the Parma region of northern Italy, Verdi spent the last days of 1849 and the first weeks of 1850 considering future opera projects.  He sat down and drew up a list of stories that captured his interest, a list filled with literary masterworks old and new.  At the top of the list were Shakespeare’s King Lear, Hamlet, and The Tempest.  There was Kean, by Alexander Dumas pere and Victor Hugo’s Marion Delorme, Ruy Blas, and Le Roi s’amuse (“The King’s Jester”).  Among other works on the list were Lord George Gordon Byron’s Cain; Jean Baptiste Racine’s Phedre; Pedro Calderon de la Barca’s A Secret Grievance, a Secret Revenge; Vicomte Francois Rene de Chateaubriand’s Atala; and Count Vittorio Alfieri’s Filippo (which would eventually become the opera Don Carlo). Stifellio […]

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Music History Monday: Tchaikovsky’s Swan Lake and Some Myths Debunked

We mark the first performance of the ballet Swan Lake on March 4, 1877: 147 years ago today.  Premiered at the Bolshoi Theater in Moscow, with music by Piotr Ilyich Tchaikovsky (1840-1893), choreography by the Czech-born dance master Julius Reisinger (1828-1892), and its music performed by the Bolshoi Theater Orchestra, the first performance of Swan Lake landed with an epic THUD, meaning not good.   Pretty much every aspect of the ballet was critically blasted.  The vast majority of the critics present found Tchaikovsky’s score to be far too “complex” for a ballet; one critic called it:  “too noisy, too ‘Wagnerian,” and too symphonic.”  A visiting correspondent by the name of Tyler Grant called the ballet: “utter hogwash, unimaginative and altogether unmemorable.” Now, admittedly, there were some problems with that premiere performance.   For example.  The famed Russian prima ballerina Anna Sobeshchanskaya (1842-1918) was originally cast in the role of Odette – the “white swan” – the star and heroine of the ballet.  She may also have been slated to dance the role of the villainous Black Swan, Odile; today it is common practice for the same ballerina to perform the parts of both Odette and Odile.  However, it is […]

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Music History Monday: Too Late to Matter for Georges Bizet, though Better Late Than Never for the Rest of Us

We mark the premiere on February 26, 1935 – 89 years ago today – of Georges Bizet’s Symphony in C.  The premiere took place in Basel, Switzerland, in a performance conducted by Felix Weingartner (1863-1942).  Bizet (1838-1875) never heard the symphony performed; he had died in the Paris suburbs in 1875 at the age of 36, a full 60 years before Weingartner’s premiere of his symphony.  Bizet’s Symphony in C, considered today to be a masterwork, was only “discovered” in the archives of the Paris Conservatoire in 1933, 78 years after its composition in 1855!  What If We contemplate a short list of those great (or potentially great) composers who died before their fortieth birthday. Henry Purcell (dead at 36), Giovanni Battista Pergolesi (26), Wolfgang Mozart (35), Vincenzo Bellini (33), Frédéric Chopin (39), Felix Mendelssohn (38), Lili Boulanger (24), Juan Arriaga (19), and George Gershwin (who died at the age of 38).  We should all deeply regret their early passing, not just because of the inherent tragedy of dying so young but because it is impossible not to think about what these composers might have accomplished had they at least lived Beethoven’s life span (56 years), or Sebastian Bach’s (65 […]

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Music History Monday: Frankie and Johnny, and Helen and Lee

I am aware that Valentine’s Day is already 5 days past, but darned if the romantic warm ‘n’ fuzzies aren’t still lingering with me like a rash from poison oak. As such, I will be excused for offering up what I will admit is a belated, but nevertheless Valentine’s Day-related post. Gratitude We should all be grateful that the following Valentine’s Day-related post is not on the lines of those blogs I wrote in 2010 and 2011, blogs written for various websites in my attempt to drum up sales for my Great Courses/Teaching Company Courses. For example, I wrote a couple of Valentine’s Day-themed blogs in 2011, one for Huffpost and the other for J-Date, as in “Jewish-Dating.” For those posts – entitled “Romantic Music” – I was tasked with recommending appropriately “romantic” music for an intimate, tête-à-tête Valentine’s Day evening. This is how they began: “Fresh flowers, chilled champagne, and a candlelight dinner for two; the stereotypical trappings of a successful Valentine’s Day evening. But the sensual menu is still incomplete: smell, taste, touch, and sight are covered, but proper sound is still wanting. Yes indeed, music, the purported feast of the gods, the indispensable aural lubricant for romance, […]

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Music History Monday: Getting Back to Work!

On February 5, 1887 – 137 years ago today – Giuseppe Verdi’s 25th and second-to-last opera, Otello, received its premiere at the Teatro alla Scala in Milan.  The premiere was the single greatest triumph in Verdi’s sensational career.  But it was a premiere – and an opera – that was a long time coming. Background He was born on October 10, 1813, in the sticks: in the tiny village of Le Roncole, in the northern Italian province of Parma.   Verdi’s first opera, Oberto, received its premiere at the Teatro alla Scala in Milan in November 1839, when Verdi was 26 years old.  Oberto was a modest success – it received 13 performances – and based on its success, the management at La Scala offered Verdi a contract to compose three more operas.  Verdi had begun his second opera – a comedy called A King for a Day – when catastrophe struck: he lost his wife and two young children to disease during a horrific, 20-month span between 1839 and 1840.  Rendered nearly insane by the deaths, Verdi nevertheless battled through his grief and managed to complete A King for a Day.  The opera received its premiere on September 5, […]

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Music History Monday: Idomeneo

We mark the premiere on January 29, 1781 – 243 years ago today – of Wolfgang Mozart’s opera Idomeneo, Re di Creta (“Idomeneo, King of Crete”).  With a libretto by Giambattista Varesco (1735-1805), which was adapted from a French story by Antoine Danchet (1671-1748), itself based on a play written in 1705 by the French tragedian Prosper Jolyot de Crébillon (1674 -1762; that’s a lot of writing credits!), Idomeneo received its premiere at the Cuvilliés Theatre in Munich, Germany.  Idomeneo was a hit, and it constitutes not just Mozart’s first operatic masterwork but, by consensus, the single greatest Italian-language opera seria ever composed! Setting the Biographical Scene On January 15th, 1779, the 23-year-old Wolfgang Mozart returned home to Salzburg after having been away for 15 months.  His trip, which had taken him primarily to Mannheim and Paris, had been both a professional and personal disaster.  He had left Salzburg with his mother, filled with high hopes, high spirits, and dreams of finding a permanent job and romance.  He returned without his mother (who had died in Paris), without a job, without any money, and without the young woman he had met and fallen in love with during the trip (one Aloysia […]

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Music History Monday: Johannes Brahms, Piano Concerto No. 1

We mark the premiere on January 22, 1859 – 165 years ago today – of Johannes Brahms’ Piano Concerto No. 1, in the German city of Hanover. No other work by Brahms caused him such effort; never before or after did he so agonize over a piece, working and reworking it over and over again. Background On October 1, 1853, the 20-year-old Johannes Brahms showed up at the door of Robert and Clara Schumann’s house in Düsseldorf, in the Rhineland.  At the time, Brahms was pretty much a complete unknown outside of his hometown of Hamburg.  He was visiting the Schumann’s at the behest of the violinist and conductor Joseph Joachim (1831-1907) who, although only two years older than Brahms, was already world famous.   Physically, the young Brahms looked virtually nothing like the bearded, portly, cigar-smoking, bear-like dude of his later years; at twenty he was described as being: “a shy, awkward, nearsighted young man, blonde, delicate, almost wispy, boyish in appearance as well as in manner (the beard was still 22 years away) and with a voice whose high pitch was a constant embarrassment to him.” This 20-year-old kid might not have looked like our familiar image of […]

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Music History Monday: American Pie

On January 15, 1972 – 52 years ago today – Don McLean’s folk-rock song American Pie began what would eventually be a four-week stay at number 1 on the Billboard Hot 100 chart.  The song made the singer, songwriter, and guitarist Don McLean (born 1945) very famous and very rich, and it is considered by many to be one of the greatest songs ever written. No One is Perfect Not a one of us is perfect, and that goes double/triple/quadruple for me.  I eat ice cream right out of the carton before putting it back in the freezer, and will guzzle club soda and tonic water out of the bottle before putting it back in the fridge. I will lick a knife with cream cheese or peanut butter on it, lest any of it go to waste, and I will observe my personal ten-to-fifteen second rule when I drop food on the floor (providing one of the cats hasn’t gotten to it first).  I don’t always turn my socks right-side-out before putting them in the washing machine, and I have been known to forget to water the plants even when I’ve been reminded to do so. (Regarding the freaking plants: […]

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Music History Monday: Pianist, Conductor, Composer, and a Cuckold for the Ages

We mark the birth on January 8, 1830 – 196 years ago today – of the German pianist, conductor, composer, and cuckold, Hans Guido von Bülow.  Born in the Saxon capital of Dresden, he died in a hotel in Cairo, Egypt, on February 12, 1894, at the age of 64.  Poor Hans von Bülow.  He was one of the top pianists and conductors of his time.  His career was closely associated with some of the greatest composers of all time, including Richard Wagner, Johannes Brahms, and Pyotr Tchaikovsky.  Famous for his devastating wit and ability to turn a phrase, it was Bülow who coined the alliterative trio of “Bach, Beethoven, and Brahms.” Sadly, for all of his many accomplishments and deserved renown, he remains best known today (in no small measure because of scandal-mongering sensationalists like myself) as one of the great cuckolds of all time, right up there with myself (cuckolded by my college girlfriend Maureen Makler and an Israeli guy named Avi Luzon); Eddie Fisher (cuckolded by Elizabeth Taylor and Richard Burton), and Henry VIII (cuckolded, or so we are told, by Ann Boleyn and a wide assortment of various courtiers and hangers-on).  Bummer all the way around, […]

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