Robert Greenberg

Historian, Composer, Pianist, Speaker, Author

Archive for San Francisco Performances – Page 8

Music History Monday: Getting Personal: Édith Piaf

We mark the birth on December 19, 1915 – 107 years ago today – of the French singer and actress Édith Piaf in the Belleville district of Paris.  Born Édith Giovanna Gassion, she came to be considered France’s national chanteuse, one of the most celebrated singers of the twentieth century, a French combination of Judy Garland, Barbra Streisand, and Billie Holiday.  She died in Plascassier, near the French Riviera city of Nice, on October 10, 1963, all-too young at the age of 47.   Way Too Personal I will be forgiven for making today’s post personal. (It’s just going to happen sometimes.) I was first married in August of 1981.  I was 27 and my betrothed was 23 at the time of our marriage.  We were . . . young.  Frankly, chronological years notwithstanding, I was far “younger” than my bride.  Together, we made two wonderful babies: our daughter Rachel, now 36 years old, and our son Samuel, now 32.   Our marriage lasted for seventeen years.  Based on the frankly terrifying statistics out there, our marriage lasted considerably longer than the seven-to-eight-year average of the 50% of marriages that fail in the United States.   Three years after our […]

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Music History Monday: The Garden State Hall of Fame

December 12 is a crazy day in American jazz and popular music history, a day that saw the births of five – count ‘em, five – significant musicians, three of whom have something very special in common. Let us first recognize the birthdays of the two jazz/pop musicians who do not share this special commonality. We start with a big, happy birthday to the jazz singer Joe Williams, who was born on December 12, 1918, 104 years ago today.  Born Joseph Goreed, he came into this world in Cordele, Georgia, and left it on March 29, 1999, in Las Vegas at the age of 80.  Big Joe had a gorgeous, warm baritone voice that was as smooth as a peeled onion.  Long associated with Count Basie (1904-1984) and his big band, Williams sings one of his trademark songs – Alright, Okay, You Win – with the Basie Band in the link below, recorded circa 1970. Another big, happy birthday to the singer, drummer, and percussionist Sheila E. (“E” for Escovedo), who was born right here in Oakland, California, on December 12, 1957, 65 years ago today.  Sheila Escovedo came by her musical bona fides honestly.  Her father is the Latin […]

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Music History Monday: Aaron Copland in New York

We mark the New York premiere on November 28, 1925 – 97 years ago today – of Aaron Copland’s Music for the Theater, at a League of Composer’s concert conducted by Serge Koussevitzky at New York’s Town Hall. The actual world premiere of the piece took place eight days before, when Koussevitzky conducted Music for the Theater in Boston. But Copland was a native New Yorker and Music from the Theater is about the New York theatrical and musical world. So – and for this you’ll have to excuse me, particularly the Bean Town babies among us – the so-called “Boston Premiere” was nothing but a warmup, a preview, a promo, an hors d’oeuvre akin to trying out a Broadway play in New Haven or Philadelphia before taking it to the house, to the big time, the Apple, to the city that never sleeps, to the burg so big they had to name it twice: New York, New York! Coming Clean We all have to make decisions, the vast majority of which are, gratefully, relatively insignificant. (I cannot imagine having to make decisions that would affect the health and welfare of entire communities. It’s difficult enough for me to figure […]

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Music History Monday: Listening to the Thundah from Down Undah

We mark the birth on November 7, 1926 – 96 years ago today – of the dramatic coloratura soprano Dame Joan Alston Sutherland, in Sydney, Australia.  She died on October 10, 2010, in Montreux, Switzerland at the age of 83.   I want you all to know upfront that Joan Sutherland was the first singer on whom I had a major crush, both because of her stupendous voice (hey: she wasn’t called “La Stupenda!” for nothing) and for reasons to be described below. In this post I will be using the occasion of Ms. Sutherland’s birth to not just talk about her extraordinary talent, but to wax nostalgic, for which I trust you’ll indulge me.  While that nostalgia might dominate this post, be assured that tomorrow’s Dr. Bob Prescribes post will be dedicated entirely to Joan Sutherland’s artistry and recordings.   Records and Record Players  I’m going to talk about “sound reproducing equipment” for a bit.  Please: though it might, momentarily, appear that I am geeking out here, I am – in fact – not.  Because for people of a certain age, our records and the gear on which we played our records were for our younger selves (and perhaps […]

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Music History Monday: The Grandmother of All Drop Parties

Before moving forward, the title of this post – “The Grandmother of All Drop Parties!” – demands an explanation-slash-definition.   A “grandmother” is the mother of a parent, though in this usage, thank you, it is meant to indicate the ultimate example of what follows, as in “the grandmother of all drop parties.” I know you knew that.  On to the important definition. A “drop party” or “release party” or “launch party” is a festive event sponsored by someone or some corporate entity to celebrate the release of a new product or service.  In these here parts – meaning the San Francisco Bay Area – the most familiar sort of drop parties are those usually lavish affairs thrown by tech companies to launch new hardware or software (as opposed to underwear, overwear, everywhere, nowhere, or whatever-ware).  Certainly, the pandemic put a major crimp on such parties, but I have little doubt they will be back, and that’s because they check off so many important boxes.  They allow a company to celebrate itself and to entertain its employees and clients while also drawing in potential customers at the same time. They increase brand visibility and status, and presumably serve as venues […]

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Music History Monday: Carl Ruggles

Before moving on to Carl Ruggles, the featured composer of today’s post, we would offer the warmest of happy birthdays to one of the most brilliant composers of the twentieth century, who also happened to be one of the nicest human beings I’ve ever met, George Crumb.  He was born in Charleston, West Virginia on October 24, 1929 – 93 years ago today – and died at his home in the Philadelphia suburb of Media, Pennsylvania, on February 6, 2022, at the age of 92. I offered up an appreciation of Crumb in my Music History Monday post on the occasion of his 87th birthday on October 24, 2016.  We will revisit Crumb in my Music History Monday and Dr. Bob Prescribes posts for March 13 and 14, 2023 (yes, I plan ahead!) when we tackle his Black Angels for electric string quartet. On to the featured event for today’s post. We mark the death on October 24, 1971 – 51 years ago today – of the American composer, teacher, and painter Charles Sprague (“Carl”) Ruggles, in Bennington Vermont.  Born in Marion, Massachusetts on March 11, 1876, Ruggles was 95 years old at the time of his death. C-level People […]

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Music History Monday: Name the Composer/Pianist

Name the Composer/Pianist: he was a student of Wolfgang Mozart, Antonio Salieri, Muzio Clementi, and Joseph Haydn; friend to Franz Schubert and a friend (and rival!) of Ludwig van Beethoven; and teacher of – among many others – Carl Czerny, Ferdinand Hiller, Sigismond Thalberg, and Felix Mendelssohn; in his lifetime considered one of the greats and in ours almost entirely forgotten? With a title like that, the subject of this post better be good. And good he was! We mark the death on October 17, 1837 – 185 years ago today – of the composer and pianist Johann Nepomuk Hummel in the Thuringian city Weimar.  Born in Pressburg (today Bratislava, the capital of Slovakia) on November 14, 1778, Hummel was 59 years old at the time of his death. A Preliminary: What’s in a Name? Listen, the last thing in the world I want to be accused of (okay, maybe not the last thing . . .) is name shaming: making fun of someone’s name.  But let’s be serious: what sort of middle name is “Nepomuk”?  And it’s not just Hummel: “Nepomuk”, a name that most certainly does not ring beatific for native English speakers, was a fairly common middle […]

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Music History Monday: Vladimir Aleksandrovich Dukelsky, AKA “Vernon Duke”

We mark the birth on October 10, 1903 – 119 years ago today – of the Russian-American composer of concert music Vladimir Aleksandrovich Dukelsky.  As a composer of popular music, and as a major contributor to the Great American Songbook, he is known as Vernon Duke. The Great American Songbook The Great American Songbook refers to neither a book nor a specific list of songs.  Rather, the phrase encompasses the repertoire of American popular song, written between about 1915 and 1955 that are today collectively referred to as the “standards.”  According to what should be the unimpeachable source, the “Great American Songbook Foundation”:  The “Great American Songbook” is the canon of the most important and influential American popular songs and jazz standards from the early 20th century that have stood the test of time in their life and legacy. Often referred to as “American Standards”, the songs published during the Golden Age of this genre include those popular and enduring tunes from the 1920s to the 1950s that were created for Broadway Theater, musical theater, and Hollywood musical film.” Now, you didn’t have to be born in America to be a contributor to the Great American Songbook.  In fact, some […]

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Music History Monday: Carl Nielsen

We mark the death on October 3, 1931 – 91 years ago today – of the Danish composer and violinist Carl Nielsen in Copenhagen, at the age of 66. Nielsen had what we colloquially call “a bad ticker.”  He suffered his first heart attack in 1925, when he was sixty years old.  A nasty series of heart attacks put him in Copenhagen’s National Hospital (the Rigshospitalet) on October 1, 1931.  He died there at 12:10 am on October 3.  Surrounded by his family, his last words were: “You are standing here as if you were waiting for something.” (We could take those last words a variety of ways.  For example, we might assume that Nielsen, suffering from delirium, was genuinely curious as to why his entire family was gathered around his bed.  But knowing Nielsen as we do – he was a salty, funny, straight-shooting person and a proud family man, married to a famous sculptress and the father of five kids – we’d like to think that Nielsen went to his death cracking an ironic joke.  Not quite as ironic as Chicago’s founding guitarist and vocalist Terry Kath’s last words, “Don’t worry, it’s not loaded”, but ironic enough.) Despite […]

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Music History Monday: Béla Bartók’s American Exile

We mark the death on September 26, 1945 – 77 years ago today – of the pianist, composer, and Hungarian patriot Béla Bartók. Born in what was then the Hungarian town of Nagyszentmiklós(now Sînnicolau Mare in Romania) on March 25, 1881, Bartók died – during what he called his “comfortable exile” – in New York City. Before moving on to Bartók’s “American Exile”, let’s establish –as we can from our vantage point in 2022 – his creds as a great and influential twentieth century composer! In 1961, 16 years after Bartók’s death, Pierre Boulez (1925-2016) – composer, conductor, and, in the words of his teacher Olivier Messiaen, the great insufferable one – wrote this about Bartók’s music: “The pieces most applauded are the least good; his best products are loved in their weaker aspects. His work triumphs now through its ambiguity. Ambiguity that will surely bring him insults during future evaluation. His work has not the profound unity and novelty of Webern’s or the vigorous controlled dynamism of Stravinsky’s. His language lacks interior coherence. His name will live on in the limited ensemble of his chamber music.”  Boulez was not just wrong; he was snotty wrong.  But the degree of […]

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