We mark the premiere performance on April 25, 1926 – 96 years ago today – of Giacomo Puccini’s twelfth and final opera, Turandot. The premiere took place at Milan’s storied La Scala opera house and was conducted by Puccini’s friend (and occasional nemesis!) Arturo Toscanini (1867-1957). At the time of the premiere, Puccini himself had been dead for 17 months. And therein lies our tale. Because given the delays in creating the libretto for Turandot, Puccini’s failing health, his leaving the opera incomplete at his death, and the controversy surrounding Turandot’s subsequent completion by the composer Franco Alfano (1875-1954), itwas indeed an opera that almost didn’t happen. Giacomo Puccini was born in the Tuscan city of Lucca on December 22, 1858, and died in Brussels, Belgium on November 29, 1924, three weeks shy of his 66th birthday. Puccini’s operas remain among the most popular in the repertoire, but among the most critically controversial as well. It is a controversary we will not discuss in this post; rather, I’d direct you to Music History Monday for January 14, 2019. That post – on Puccini’s opera Tosca – wades chin-deep into the critical issues that continue to dog his work. Sometime in […]
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Robert Greenberg
Historian, Composer, Pianist, Speaker, Author
Archive for San Francisco Performances – Page 11
On April 18th, 1954 – 68 freaking years ago today – the American composer, pianist, music historian, and bloviator-par-excellence Robert Michael Greenberg was born in Brooklyn, New York. The Teaching Company-slash-The Great Courses and My Favorite Things Since 1993, I have recorded 32 courses for The Teaching Company, rebranded as The Great Courses in 2006, and further rebranded in 2021 as “Wondrium.” (The less said about that latest rebrand, the better. To me, “Wondrium” sounds like an acne control or irritable bowel medication.) I am frequently asked “which is my favorite course.” That’s always an easy question to answer because the answer is whichever course I most recently recorded. As of today, that would be The Great Music of the 20th Century. (Sadly, it would appear that I am the only person who bears much affection for this course, as The Great Music of the 20th Century has proven to be among the least popular course I’ve recorded. A principal issue is the musical examples. The Teaching Company/The Great Courses could not afford to license the music I needed to play during the course, much of which was still under original copyright. So we hit upon the idea of providing […]
Continue ReadingWe mark the first performance on April 11, 1727 – on what was Good Friday 295 years ago today – of Johann Sebastian Bach’s St Matthew Passion at the St. Thomas Church (or Thomaskirche) in the Saxon city of Leipzig. The Passion was performed three more times in Bach’s lifetime, all under his direction in Leipzig: on April 15, 1729; March 30, 1736; and on March 23, 1742. Bach revised his St Matthew Passion between 1743 and 1746, and it is this revised version that we will hear in performances and recordings today. Our game plan for this post will be, one, to discuss what a “Passion” is and what the “gospels” are; two, to observe the structure and scope and make some blanket observations about the artistic quality of Bach’s St Matthew Passion; three, to discuss “the masterpiece syndrome” and some of the good and bad things that phrase implies; four, to once again venture into the unmapped minefield that is contemporary identity politics and attempt to create a meaningful context for the St Matthew Passion; and finally, five, to speculate on how the parishioners and church officials who, having filed in and taken their seats at Leipzig’s Thomaskirche […]
Continue ReadingWe mark the birth on April 4, 1913 – 109 years ago today – of the American blues singer, songwriter, and guitar and harmonica player McKinley Morganfield. He was born in either Rolling Fork or Jug’s Corner, Mississippi. Known professionally as “Muddy Waters” (as opposed to, say “Crystal Springs”, or “Briny Deep”, or “Silty Delta”, or “Occluded H20”), Maestro Morganfield-slash-Waters died in Westmont, Illinois on April 30, 1983, at the age of 70. We will get to Muddy Waters (as we will now refer to him) in a bit. But April 4 is a busy day in music history and thus, I’d like to observe three other date-related events. We mark the birth – on April 4, 1922, exactly 100 years ago today – of the American composer Elmer Bernstein, in New York City. He died in Ojai, California, on August 18, 2004, at the age of 82. Elmer Bernstein is among my very favorite film and television composers, and he would have been the lead story today if not for the fact that my Music History Monday post for April 3, 2017, already celebrated his birthday. (I’ll own up to it: April 3 is a quiet day in music […]
Continue ReadingWe mark the death on March 28, 1943 – 79 years ago today – of the composer, pianist, and conductor Sergei Rachmaninoff, at his home in Beverly Hills, California. He was born on April 1, 1873, and thus died just four days before his 70th birthday. This post, as well as tomorrow’s Dr. Bob Prescribes, will focus on the last year of Rachmaninoff’s life, during which he lived in Beverly Hills, California. Rachmaninoff – all 6’6” of him! – was one of the great pianists of his (or any) time; an outstanding composer; and a more than able conductor (he was, for example, the conductor of the Bolshoi Theater in Moscow from 1904-1906). Lucrative though performing as a pianist and conductor were, what Rachmaninoff really wanted to be was a composer (the composition bug is, as I will attest, something of a disease). As is the case with so many “working” composers – meaning composers who make the bulk of their income doing something other than composing – Rachmaninoff composed primarily during the summer months. Between 1890 and 1917 – from the ages of 17 to 44 – Rachmaninoff spent those summer months composing at his home in Ivanovka, a […]
Continue ReadingWe mark the birth on March 21, 1685, of Johann Sebastian Bach in the Thuringian town of Eisenach, in what today is central Germany. He died 65 years later, on July 28, 1750, in the Saxon city of Leipzig. I can hear the howling now, “Dr. B, hello, Bach was born on March 31, 1685, not March 21; March 31: it says so on Wikipedia!” Chill out and unknot those jockeys; let’s talk. Wikipedia and various other sources do indeed indicate, not incorrectly, that Bach was born on March 31. But according to the irrefutable and unassailable Bach scholar Christoff Wolff writing in The New Grove Dictionary of Music and Musicians, Sebastian Bach was born on March 21. And in fact Bach celebrated his birthday on March 21. So what gives? A Brief Contemplation of Dates (by which we do not refer to one’s social life but the calendar) Old style and new style; in style and out-of-style. It is a question of almost Talmudic complexity. We’re talking about calendars and the confusion wrought by changing calendars. In 46 BCE (two years before his conversion into a human pincushion), Julius Caesar proposed replacing what was the 10-month Roman […]
Continue ReadingWe mark the birth of March 14, 1681 – 341 years ago today – of the German composer Georg Philipp Telemann, in the city Magdeburg, in what today is central Germany. A contemporary of Johann Sebastian Bach (1685-1750) and George Frederick Handel (1685-1759) (both of whom Telemann numbered as good friends; Bach’s son Carl Philipp Emanuel was both the godson and namesake of Georg Philipp Telemann), Telemann was considered in his lifetime the greatest composer living and working in Germany, with our friend Sebastian Bach well down that list. Telemann died in Hamburg on June 25, 1767, at the age of 86. Georg Philipp was the youngest of three surviving children (two boys and a girl) of Maria and Heinrich Telemann. Young Telemann came from a long line of Protestant clergymen. His mother Maria’s father was a deacon, and his father Heinrich Telemann was a Lutheran pastor (as was Heinrich’s father before him). Sadly, Heinrich Telemann died his late 30’s in 1685 when Georg Philipp was just 4 years old, and the task of raising and providing for the family fell squarely on Maria Telemann’s shoulders. Single mothers are usually, by necessity, a tough bunch, and in this Maria Telemann […]
Continue ReadingBefore we go forth to encounter the “unexpected”, a quick birthday greeting to the wonderful Maurice Ravel, who was born in the southern French municipality of Ciboure on March 7, 1875: 147 years ago today. I would direct you to my Music History Monday post of December 28, 2020, a post that celebrated Ravel’s life on the anniversary of his death on December 28, 1937, at the age of 62. Happy birthdayMaestro. “Unexpected Warblers” About my choice of topic for today. Three weeks ago, on February 14 (St. Valentine’s Day), I ran a post featuring some of the most horrific love songs ever recorded. Then, last Thursday, on February 24 (a date that now joins December 7, 1941, for its infamy due to Russia’s invasion of Ukraine), I ran a post entitled “Phyllis Diller, Concert Pianist: Who Knew?”, a post that celebrated the unexpected keyboard talents of Ms. Phyllis Diller (1917-2012). Today’s Music History Monday combines aspects of both of those posts, as it explores what happens when movie actors not known for being singers actually sing on film. As you might expect, the results are mixed: some of these good people will, in fact, actually surprise us (in a […]
Continue ReadingWe mark the birth on February 28, 1876 – 146 years ago today – of the American composer and pianist John Alden Carpenter, in Chicago, Illinois. He died there in the Windy City at the age of 75, on April 26, 1951. John Alden Carpenter is certainly not a musical household name here in 2022. But 75 years ago, Carpenter was among the best known and most respected living composers, musicians (he was an outstanding pianist), and musical philanthropists in the United States. His orchestral music was regularly conducted by the likes of Walter Damrosch (who conducted the New York Symphony Orchestra), Frederick Stock (the Chicago Symphony Orchestra), Leopold Stokowski, Serge Koussevitzky (the Boston Symphony Orchestra), Fritz Reiner (the Chicago Symphony Orchestra), Artur Rodzinski (the New York Philharmonic), Pierre Monteux (the San Francisco Symphony), Otto Klemperer, Bruno Walter (the New York Philharmonic), and Eugene Ormandy (the Philadelphia Orchestra). The list of great singers, musicians, and chamber groups that championed Carpenter’s music is equally impressive. Carpenter was the only American composer ever to be commissioned by Serge Diaghilev (1872-1929) and his Ballets Russes. The product of that commission was Carpenter’s third and final ballet, Skyscrapers: A Ballet of Modern American Life […]
Continue ReadingOn February 21, 2012 – ten years ago today – five members of the Russian feminist punk rock group Pussy Riot staged an unauthorized performance on the soleas [so-LAY-us] of the Cathedral of Christ the Savior in Moscow. (For our information, a “soleas” is the sanctuary platform in a Russian Orthodox Church.) The security personnel at the church were not pleased by this impromptu performance and quickly – within a minute – put an end to it. However, following the dictum that “anything worth doing is worth recording,” Pussy Riot recorded their “performance” for posterity; that recording is linked below: Why, oh why would these masked young women so desecrate a Russian Orthodox Cathedral? They had – to their minds – good reason. Vladimir Putin was up for re-election, and the head of the Russian Orthodox Church, Patriarch Kirill of Moscow (who was born Vladimir Mikhailovich in 1946), had thrown the church’s support behind Putin’s re-election. Later that evening of February 21, 2012 – ten years ago today – Pussy Riot released a music video entitled “Punk Prayer – Mother of God, Chase Putin Away!” Thanks to the internet, that video circulated internationally, overnight. That video is linked below. From […]
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