Robert Greenberg

Historian, Composer, Pianist, Speaker, Author

Archive for Music History Monday – Page 8

Music History Monday: Papa’s Last Appearance

A quick comment in reference to the title of today’s post, “Papa’s Last Appearance.” Not that you really need me to tell you, but by “Papa” we are not referring to Papa John Schnatter, who founded “Papa John’s Pizza” in 1984.  Neither are we referring to the stand-up comedian Tom Papa, the sportscaster Greg Papa, the American rock band Papa Roach, nor the American Paul Karason (1950-2013), also-known-as “Papa Smurf,” whose skin turned to a purplish-blue color as a result of ingesting a home-made brew of silver chloride colloid. By “Papa,” we are referring to Franz Joseph Haydn (1732-1809) who was once-and-forever nicknamed “papa” while still in his thirties by the grateful musicians who worked for him! We mark what turned out to be the final public appearance of “Papa” Joseph Haydn on March 27, 1808 – 215 years ago today – at a concert held in honor of his upcoming 76th birthday.  The gala concert, held at Vienna’s University Hall, featured a performance of Haydn’s oratorio The Creation, which had been completed ten years before, in 1798.  The concert was what we would call today a “star-studded event”: everyone who was anyone in Vienna’s musical world was there, including […]

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Music History Monday: Why All the Hate?

We mark the wedding on March 20, 1969 – 54 years ago today – between the Liverpool-born Beatle John Lennon (1940-1980) and the Tokyo-born artist and musician Yoko Ono (born 1933).  Their wedding took place in the British Overseas Territory of Gibraltar, at the southern tip of the Iberian Peninsula.  At the time of their marriage, Lennon was 28 years old, and Ono was 36. Classic Rock ‘n’ Roll as a Geriatric Phenomenon Given their seminal, world-wide cultural impact, the brevity of The Beatles’ tenure remains, for me, nothing short of mind-boggling. Let us consider.  The Beatles’ first appearance on the Ed Sullivan Show, which cemented their world-wide fame, occurred on February 9, 1964.  The band’s final paid concert occurred on August 29, 1966, at San Francisco’s Candlestick Park, just thirty months later.  The Beatles’ final album to be recorded, Abbey Road, was released three years after that, on September 26, 1969.  (For our information, the album Let it Be, which had been recorded prior to Abbey Road, was released in May 1970.) The Beatles, then, was strictly a 1960s band.  The last time they were together as a quartet was on August 22, 1969, when they attended a photo […]

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Music History Monday: Everyone Should Have a Hobby!

On February 27, 2018 – five years ago today – Barbra Streisand (born 1942) revealed that she had cloned her dying dog Samantha (nicknamed “Sammie”) twice.   (No jokes here about Ms. Streisand singing “Send in the Clones.”) The revelation regarding the Samantha’s clones was made during an interview published in Variety five years ago today.  Samantha was a rare, curly haired Coton de Tuléar, a breed of small, white-haired dogs named for the city of Tuléar in the African island nation of Madagascar.  According to Kristine Lacoste, in an article published on the website Petful entitled Five Things to Know About Coton de Tuléar: “This breed is thought to have originated from a group of small white dogs that swam across the Malagasy channel following a shipwreck.” When Streisand’s Samantha (or should we say “Samantha Streisand”?) lay on her deathbed (blanket?) in 2017, Babs realized that she: “couldn’t bear to lose her.  I had to continue her DNA. There were no more curly-haired Cotons like Samantha — she was very rare. In order to get another I had to clone her.” In an article published in The New York Times on March 2, 2018, Barbra Streisand explained her decision […]

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Music History Monday: The First Night: Gioachino Rossini’s The Barber of Seville

We mark the premiere performance, on February 20, 1816 – 207 years ago today – of Gioachino Rossini’s comic opera masterwork, The Barber of Seville, at Rome’s famed Teatro Argentina. The Natural Gioachino Antonio Rossini was born on February 29 (bummer of a birthday!), 1792 in the Italian city of Pesaro, on the Adriatic Sea. He died of colorectal cancer on November 13, 1868, in his villa in Passy, which today is located in Paris’ chic, 16th arrondisement. He was the only child of Giuseppe Rossini (1758-1839) and Anna (née Guidarini) Rossini (1771-1827).  Rossini’s father Giuseppe was a professional trumpet and horn player, and as such was Gioachino’s first music teacher.  (The adult Rossini liked to say that: “Sono figlio di corna,” “I am the son of a horn!”) “Son of a horn” he might have been, but when it came to his real musical education, it was as the son of an opera singer.  Rossini’s mother Anna was, at the time of his birth in 1792, a seamstress by trade.  But changes in Italian society allowed her to make a second career as a professional singer.  According to Rossini’s biographer Richard Osborne (Rossini; Oxford University Press): “Italian Society began to […]

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Music History Monday: A Man for All Symptoms: The Death of Wagner

We mark the death, on February 13, 1883 – 140 years ago today – of the German composer Richard Wagner, in Venice, at the age of 69.  He had been born in the Saxon city of Leipzig on May 22, 1813. Wagner’s Health Writing in Hektoen International – A Journal of Medical Humanities, George Dunea, MD, states that: “[Richard] Wagner was an extraordinarily highly strung individual.” Do you think, Dr. Dunea?   In fact, he was a pathologically overwrought individual, a certifiable narcissist who required maximum stimulation at all times whether he was awake or asleep.  (Yes, even asleep.  As a young child he kept his many siblings awake at night by shouting and talking while he slept.) Wagner was not born a particularly healthy person, and as an adult, his personal habits and constant excitability exacted a considerable toll on his already compromised constitution.  Writing in the Journal of the American Medical Association back in 1903 (Gould, George M.; The Ill-health of Richard Wagner, JAMA 1903; 51: 293 and 368; as articles go, this is an oldie but a goodie!), Dr. George Gould described Wagner as having the collective symptoms of: “[Thomas] DeQuincy [best known for his Confessions of […]

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Music History Monday: Johannes Ockeghem and the Oltremontani

We mark the death on February 6, 1497 – 526 years ago today – of the composer and singer Johannes Ockeghem, in Tours, France, at the age of 87 (or so).  He was born circa 1410 in the French-speaking city of Saint-Ghislain in what today is Belgium, about 5 miles from the border with France.  The title of this post – “Johannes Ockeghem and the Oltremontani” – employs a Italian word that may not be familiar to everybody: “Oltremontani.”  It’s a word that means, literally, “those from the other side of the mountains.”  The mountains in question are the alps, so in fact, generally, the word refers to people “from the other side of the alps”: from northern and northwestern Europe.  But when used in the fifteenth and sixteenth centuries, it meant something quite more specific than that: it referred to musicians from what today are northern France, Belgium, the Netherlands, and Luxemburg.  Johannes Ockeghem was just such an oltremontano, having been born in Belgium close to the northern border of France. Johannes Ockeghem (circa 1410-1497) “Born circa 1410, died 1497.”  Back in the fifteenth century, if someone became famous – and at the time of his death, Johannes Ockeghem […]

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Music History Monday: Francis Poulenc: “a bit of monk and a bit of hooligan”

We mark the death on January 30, 1963 – exactly sixty years ago today – of the French composer and pianist Francis Jean Marcel Poulenc, in Paris.  A Parisian from head to toe, he was born in the tres chic 8th arrondisement in that magnificent city on January 7, 1899.  He died of a heart attack not far from where he’d been born, in his flat opposite the Luxembourg Gardens in Paris’ 6th arrondisement.  Before we can get down with the magnifique Monsieur Poulenc, we have an important event in rock ‘n’ roll history to mark. On January 30, 1969 – 54 years ago today – the Beatles, joined by the keyboard player Billy Preston, performed their final live concert.  The venue was unusual: a hastily constructed stage on the rooftop of their five-story Apple Corps (their record company) headquarters, at 3 Savile Row: smack dab in the middle of the fashion district in London’s tony Mayfair neighborhood.  (I cannot resist the joke: how do you get a rock band onto a roof?  You tell them the beer is on the house.) Badaboom. A couple of weeks before the rooftop concert eventually took place, Paul McCartney had suggested that the […]

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Music History Monday: Paul Robeson: Truly Larger Than Life

We mark the death on January 23, 1976 – 47 years ago today – of the American bass-baritone singer, stage and screen actor, civil rights activist, professional football player, and graduate of Columbia University Law School Paul Robeson at the age of 77, in Philadelphia.  Born in Princeton, New Jersey on April 9, 1898, the son of an escaped slave turned Presbyterian minister, Robeson had more intellectual, artistic, and athletic gifts and lived more lives than any 10 (20? 50? 100?) so-called “normal” people.  And he had to fight for every one of those lives, growing up a black person in early twentieth century America. “Larger than Life” The English-language idiom “larger than life” describes people “who are better and stronger and smarter than the average Joe”: individuals imbued with characteristics and abilities far beyond those of “ordinary” human beings. Typically, the idiom is reserved for fictional characters, who are gifted with superhuman (or nearly so) qualities and abilities. The heroes, warriors, gods, and goddesses of myths and legends are, by definition, “larger than life.” Achilles, Hercules, Zeus, Odysseus, Thor, Brünnhilde (and many, many more) would all qualify.  Comic book characters and superheroes are likewise, by their nature, “larger than […]

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Music History Monday: The Blockhead – Anton Felix Schindler – and Beethoven’s Conversation Books

We mark the death on January 16, 1864 – 159 years ago today – of Anton Felix Schindler, in Frankfurt, at the age of 68.  Born on June 13, 1795, in the town of Medlov in today’s Czech Republic, Schindler was, for a time, Beethoven’s “factotum”: his secretary and general assistant.  He was also a scoundrel and a profiteer, who after Beethoven’s death lied about his relationship with Beethoven, stole irreplaceable objects and documents from Beethoven’s estate, and falsified and destroyed many of those documents (some of which he later sold off) in order to make himself look better in the eyes of history.  Boo-hoo for Schindler: the “making-himself-look-better-in-the-eyes-of-history” thing didn’t work, and today he is regarded as the patron saint of lying and thieving employees. Among the Beethovenian documents Anton Schindler took upon himself to “remove for safekeeping” were Beethoven’s so-called “Conversation Books.” Beethoven’s Conversation Books It took an agonizingly long time for Beethoven to go completely deaf. His hearing loss began in 1796, in his 26th year: a buzzing in his ears and a slow but progressive loss of high frequency hearing.  By the fall of 1802, Beethoven had cut himself off from much of his world out […]

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Music History Monday: An Impresario for the Ages: Rudolf Bing

We mark the birth on January 9, 1902 – 121 years ago today – of the opera impresario Rudolf Bing, in Vienna Austria.  The general manager of the Metropolitan Opera in New York from 1950 to 1972, Bing died in Yonkers, New York in September 1997 at the age of 95.  His was a long life by any standard, but particularly by the standards of an opera impresario, whose professional livesare marked by a degree of life-threatening stress and anxiety that, perhaps, only has its equal in combat and divorce court.   Impresario The term “impresario” originated in the world of Italian opera in the 1750s.  Deriving from the Italian word “impresa,” which is “an enterprise or undertaking,” an impresario was that single individual who organized, financed, and produced operas (and later, concerts).  It was a job similar to what a film producer does today; a high stress job not for the faint of heart or weak of bladder. Apropos of the impresarios of his day, the great Gioachino Rossini (1792-1868) wrote in reference to how he went about composing his opera overtures: “Wait until the evening before the opening night.  Nothing primes inspiration more than necessity, whether it’s the […]

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