We celebrate the birth – on January 7, 1899, 120 years ago today – of the French composer and pianist Francis Jean Marcel Poulenc. Long considered a compositional lightweight – a composer for whom (heaven forbid!) traditional tonality, attractive melody and musical charm assumed pride of compositional place – Poulenc’s music was routinely rejected by the academy and by the modernists that dominated the musical scene in the years after the end of World War II in 1945. Over the last 40 years, my personal opinion of Poulenc’s music has traversed a full 180 degrees. As a young, academy-trained composer working in the 1970s, I adopted my teachers’ various prejudices without question. Among other things, this meant that with the exception of the music of Claude Debussy and Pierre Boulez, pretty much all French music going back to the seventeenth century was considered beneath contempt, and none more so than that of the loose group of Gallic compositional confectioners known as “les six Français et M. Satie” – “The Six French [composers] and Mister Satie”: Georges Auric (1899–1983), Louis Durey (1888–1979), Arthur Honegger (1892–1955), Darius Milhaud (1892–1974), Poulenc (1899–1963), Germaine Tailleferre (1892–1983), and the group’s spiritual mentor, Erik Satie (1866-1925). We consider. One […]
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Robert Greenberg
Historian, Composer, Pianist, Speaker, Author
Archive for Music History Monday – Page 28
Today we begin by marking a birth and a death, two anniversaries related to one another in tragedy. You rightly ask: what can be “tragic” about a birth? Nothing in itself. So let us begin by celebrating the birth on December 31, 1943 – 75 years ago today – of the singer-songwriter, record producer, actor, activist, and humanitarian Henry John Deutschendorf, Jr. (I would tell you that Deutschendorf, Jr. got involved in the folk music scene in Los Angeles in his early twenties. It was there in L.A. that he met and befriended Randy Sparks (born 1933), the founder of the New Christy Minstrels. Sparks told the young man that the name “Deutschendorf” would never fit on a marquee, and suggested a name change. According to Deutschendorf, “I chose Denver because my heart longed to live in the mountains”.) John Denver (as we will now refer to him) was born in Roswell, New Mexico, of Area 51 fame. As an Air Force brat, he grew up a nomad, rarely living more than a few years in one place before moving on once again. He took up the guitar at the age of 11; studied architecture at Texas Tech in Lubbock, […]
Continue ReadingWe mark the birth on December 24, 1837 – 181 years ago today – of Cosima Liszt von Bülow Wagner: the illegitimate daughter of Franz Liszt; the wife of the pianist and conductor Hans von Bülow; and then the mistress and wife of Richard Wagner. As Wagner’s wife, she became his protector and his muse. According to Ernest Newman, whose four-volume, 2429 page biography of Wagner remains an essential reference, Cosima was “the greatest figure that ever came within Wagner’s circle”. As Wagner’s widow, she became the “keeper of the Wagnerian flame”; she rescued and made profitable Wagner’s Bayreuth Festival and protected Wagner’s artistic legacy with a ferocity ordinarily associated with wolverines and spotted hyenas. Cosima Liszt von Bülow Wagner remains a controversial figure. Her racism and anti-Semitism were even more virulent than Wagner’s, and by the time she died – in 1930 – the close association of Wagner, Hitler and the Nazis was becoming institutionalized. Writing in 1930, Cosima’s first biographer – Richard du Moulin Eckart – asserts that she was “the greatest woman of the century”. According to the critic and librettist Philip Hensher, writing in 2010: “Wagner was a genius, but also a fairly appalling human being. […]
Continue ReadingOn December 17, 1865 – 153 years ago today – the two complete movements that make up Franz Schubert’s so-called “Unfinished Symphony” received their premiere in Vienna, in a performance conducted by Johann von Herbeck (1831-1877). Schubert had completed those two movements in 1822, 43 years prior to that premiere performance. At the time of the premiere, Schubert had been dead for 37 years. Buried treasure. I don’t know about you, but when I hear the phrase “buried treasure” my mind – conditioned by having read Robert Louis Stevenson’s Treasure Island as a kid – immediately conjures images up a huge chest filled with gold and silver coins and jewels: specie and precious stones, hard stuff of value. But there are soft treasures – meaning stuff made out of paper – that are of equal or even greater value than the hard stuff. Should you find a complete copy of a Gutenberg Bible in your Aunt Edith’s library, you’re looking at a value of between 25-35 million USD; that complete Shakespeare First Folio you found at the bottom of a box at a garage sale is valued at between 8 and 12 million dollars; that 1909 Honus Wagner Sweet Caporal T206 […]
Continue ReadingOn December 10, 1896 (or November 28 in the old-style Russian Julian calendar) – 122 years ago today – Nicolai Rimsky-Korsakov’s rewritten and re-orchestrated version of Modest Mussorgsky’s greatest masterwork, the opera Boris Godunov, received its premiere in St. Petersburg Russia at the Great Hall of the St. Petersburg Conservatory. Rimsky-Korsakov’s version of Boris – which presumably corrected all sorts of technical errors and flaws real or imagined in Mussorgsky’s original – held the stage until the last decades of the twentieth century, at which point Mussorgsky’s original version was finally embraced for the masterwork that it always was. Rimsky-Korsakov’s reworking of Boris Godunov was both an act of love made with the best of intentions and a terrific disservice to a masterwork. Let’s talk! Modest Petrovich Mussorgsky (1839-1881) Mussorgsky was born into a wealthy, land-owning family in the Russian district of Karevo, roughly 250 miles south of St. Petersburg. He began piano lessons at six, and his progress was such that at the age of 9 he performed a piano concerto by the then-fashionable composer John Field. When Modest was 10, his family relocated to St. Petersburg so that Modest and his brother Filaret could enter the military as […]
Continue ReadingOn December 3, 1925 – 93 years ago today – George Gershwin’s Concerto in F for piano and orchestra received its world premiere at Carnegie Hall, with Gershwin at the piano and the New York Symphony Society Orchestra under the baton of Walter Damrosch. Statement: George Gershwin is among the handful of greatest composers the United States has ever produced, and his death at the age of 38 (of a brain tumor) should be considered an artistic tragedy equal to the premature deaths of Schubert (at 31), Mozart (at 35), and Chopin (at 39). He was born Jacob Gershovitz (though his birth certificate reads “Jacob Gershwine”), the child of Russian Jewish immigrants, on September 26 1898 at 242 Snediker Avenue in the Brownsville neighborhood of Brooklyn, New York. (For our information: in 1963, a bronze plaque commemorating Gershwin’s birth was affixed to the building. By the 1970s, the neighborhood had fallen on very hard times: the plaque was stolen – it is still MIA – and the building vandalized. It burned down in 1987, and all that remains of the neighborhood today is a blighted area of warehouses and junkyards.) Rarely has a major composer begun his life in an […]
Continue ReadingWe mark today the 258th anniversary of the marriage of Joseph Haydn to Maria Anna Aloysia Apollonia Keller in St. Stephen’s Cathedral in the great city of Vienna. The groom was 28 years old and his blushing bride 31. We contemplate the institution of marriage. Marriage is like swinging a golf club: it looks so easy on TV. But when we actually pick up a golf club and/or get married, we learn soon enough how very, very, very challenging marital reality can be. I know of what I speak. I am in my fourth marriage, though I’d hasten to point out that that’s not because I’m a disagreeable monster (although my first wife, from whom I am divorced, might beg to disagree), but because I’ve lost two wives to cancer. When I married for the fourth and final time to Dr. Nanci Tucker – a real doctor, one who can write a prescription – my old friend and colleague Dr. Frank LaRocca – not a real doctor; he cannot write a prescription – said to me “you win”. You see, Frank has been married three times, and with my fourth marriage he figured that the person with the greatest number […]
Continue ReadingNovember 19 is a sad day for us all. On November 19, 1828 – 190 years ago today – Franz Schubert died in Vienna at his brother Ferdinand’s third floor flat at Kettenbrückengasse 6 (in Schubert’s day, the address was Firmiansgasse 694). The building looks almost exactly the same today as it did when Schubert died there; the red and white flags in front of the building today surround a tablet that reads “Schubert Gedenktafel”: “Schubert Memorial Plaque.” On the facing directly below the bust at Schubert’s original grave in Vienna’s Währing Cemetery (what is now called “Schubert Park”) is an inscription written by the Viennese dramatist Franz Grillparzer: “The art of music here interred a rich possession/But still far fairer hopes.” Ain’t that the truth. In the last sixteen years of his brief life, this composer of really unparalleled lyric gifts composed, among other works: 8 finished and “unfinished” symphonies (not 9, which is the number typically bandied about); 10 orchestral overtures; 22 piano sonatas; 6 masses; 17 operas; over 1000 works for solo piano and piano four-hands; around 145 choral works; 45 chamber works, including some drop dead string quartets, and 637 songs. But in fact, the 31 […]
Continue ReadingOn November 12, 1945 – 73 years ago today – the singer, songwriter, guitarist, pianist, producer, director, screenwriter, humanitarian, entrepreneur, inventor and environmentalist Neil Percival Young was born in Toronto, Ontario, Canada. Upfront: I would tell you that Maestro Neil Young has been part of my life since my coming of age (which I count to 1966, when I was 12 years old). His songs, his voice, his guitar work and the bands in which he has played helped to define my teenage years and as such, my lasting musical sensibilities. His work with Buffalo Springfield (1966-1968); Crazy Horse (1968-1969); Crosby, Stills, Nash and Young (1969-1970); and his acoustic work in the early seventies remains – for me – some of the best folk rock and rock ‘n’ roll ever played and recorded. (Just for the heck of it, I’d point out that Young entered and then worked in the United States illegally, and only received his Green Card in 1970, making him one of the countless “illegal aliens” who have gone on to enrich the American cultural gene-pool. Just sayin’.) (Another parenthetical observation. On October 31, 2018 – 12 days ago – Young admitted to having married the 57 […]
Continue ReadingWe mark the death of the American Composer Elliott Carter, who died six years ago today – on November 5, 2012 – one month shy of his 104th birthday. When Elliott Carter was born on December 11, 1908, Theodore Roosevelt was President; an Indian’s head was on the obverse of a United States penny; Gustav Mahler was the conductor of the New York Philharmonic; and the United States was just beginning its run as a dominant nation on the world’s stage. If the twentieth century was “America’s century”, it was “Elliott Carter’s” century as well: there’s hardly an artistic, cultural, or political event that Carter did not actively observe from the early 1920s through almost yesterday. His musical interests and compositions trace a direct line through some of the most important musical trends of the twentieth century: the experimental, expressionist music of the 1920s; the musical populism of the thirties and early forties; the modernist impulse of the fifties and beyond. Throughout his compositional career, Elliott Carter has proven himself to be a quintessentially American composer. Not in an Aaron Copland, “folkloric” sense, but more profoundly. Carter’s mature vision of America mirrors, according to his biographer David Schiff: “the energy, […]
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