Robert Greenberg

Historian, Composer, Pianist, Speaker, Author

Podcast – Page 6

Music History Monday: Lohengrin

We mark the premiere performance on August 28, 1850 – 173 years ago today – of Richard Wagner’s opera Lohengrin, in the central German city of Weimar.   The premiere was conducted by none-other-than Wagner’s friend and supporter (and future father-in-law!) Franz Liszt (1811-1886).  Liszt had chosen the premiere date of August 28 in honor of Weimar’s most famous citizen, Johann Wolfgang von Goethe, who was born on August 28, 1749, 101 years to the day before Lohengrin’s premiere.  The “opera” – the last of Wagner’s stage works to be designated by him as being an “opera” – was brilliantly received and has been a mainstay of the international repertoire since that first performance. Alas, Richard Wagner (1813-1883) was not in attendance there at the premiere.  With a price on his head, he had been de-facto exiled from Germany thanks to his activities in the Dresden Uprising of May of 1849.  Wagner did not hear a full performance of Lohengrin until 1861, 11 years later, in Vienna. Be informed that both today’s Music History Monday and tomorrow’s Dr. Bob Prescribes posts will deal with Lohengrin.  Tomorrow’s Dr. Bob Prescribes will focus on three video performances, comparing video excerpts from each […]

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Music History Monday: Where is the “Sin” in “Synthesizer?: Robert Moog and “Synthetic” Sound

We mark the death on August 21, 2005 – 18 years ago today – of the American engineer and electronic music pioneer Robert Moog.  Born in New York City on May 23, 1934, he died of a brain tumor in Asheville, North Carolina, at the age of 71. First things first: let us pronounce this fine man’s surname properly.  It is not pronounced as “moo-g.”  “Moo-g” is a sound made by a cow after she painfully stubs her hoof.  Despite its double-o, the name is pronounced “mogue,” as in “vogue.” Moog didn’t invent the sound synthesizer.  Rather, he (and his inventing “partners,” the composer Herbert Arnold “Herb” Deutsch, 1932-2022 and, to a somewhat lesser degree, Wendy Carlos, born 1939) democratized the thing, making it affordable, portable, and playable enough to be bought and used by anyone who could get around a piano-like keyboard. Our Game Plan Today’s Music History Monday and tomorrow’s Dr. Bob Prescribes posts are conceived as a single post, one that I’ve divided in half and will post on two successive days.  As my Patreon subscribers know, I’ve done this before; it’s no big deal and I will certainly do it again.  However, for those of you […]

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Music History Monday: Worst. Timing. Ever

On August 14, 1962 – 61 years ago today – the manager of the Beatles Brian Epstein made a phone call to the drummer Ringo Starr, inviting him to join the band.  As I suspect we are all aware, Starr said “yes.”   Two days later, on August 16, Epstein had the unenviable task of firing the band’s present drummer, Randolph Peter “Pete” Best (born Randolph Peter Scanland, 1941), who had been the Beatles’ drummer for almost exactly two years, since August 1960.  Best’s firing, effective on August 18, 1962, was, for Best, the worst timing ever.  17 days later, on September 4, 1962, a reconfigured Beatles with Ringo Starr as drummer recorded their first #1 hit and went from nobodies to superstars in the span of a few weeks. Pete Best (Born 1941) Peter Best was born on November 24, 1941, in Madras, which was then part of British India.  His father, a marine engineer named Donald Peter Scanland, died during World War Two.  Pete’s mother Mona went on to marry a British officer from Liverpool named Johnny Best, with whom she had a second son, this one named Rory.  In 1945, the Best family returned to Britain on […]

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Music History Monday: All Hail The King!

We mark an online auction that concluded on August 7, 2008 – 15 years ago today – at which Elvis Presley’s white, sweat-stained, high-collared, plunging V-necked jumpsuit, decorated with a dazzling, hand-embroidered blue and gold peacock – sold for $300,000.  (Because I know you want to know, the jumpsuit is cinched at the waist by a wide belt decorated in gold medallions in a design meant to resemble the eye of a peacock feather, all of it an ongoing reflection of Elvis’ fascination with peacocks as being his personal good luck symbol.) The outfit cost Elvis a cool $10,000.  It was designed by the Los Angeles couturier Bill Belew (1931-2008), who designed all of The King’s stage wardrobe between 1968 and 1977. Talk about provenance (something we’ll define and discuss in just a bit)!  Aside from Elvis’ personal sweat stains (do they still . . . give off an odor?), he performed wearing the jumpsuit for the better part of a year.  Elvis first wore the “peacock” at a concert at the Forum in Los Angeles on May 11, 1974.  He then performed wearing it in Las Vegas and wore it as well on the cover of his album “Promised […]

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Music History Monday: Nepo Babies

Before we get to the actual date-related topic for today, I beg your indulgence, as I need to tell you a story.  It’s a story that most of you know, at least in part. Again, indulge me. The Godfather III – the third film in the storied Godfather franchise, released in 1990 – was one of the most anticipated films of all time.  And no wonder: the first of the Godfather movies – The Godfather, or “G1”, released in 1972 – was nominated for eleven Academy Awards and received three, including Best Picture and Best Actor (for Marlon Brando). G2, released two years later in 1974 was also nominated for eleven Academy Awards, winning six of them, including Best Picture and Best Supporting Actor (for Robert DeNiro).   So G3 – The Godfather III – had a lot riding on it. Much of the casting was easy.  Al Pacino returned in the role of Michael Corleone; Diane Keaton in the role of Kaye Corleone; and Talia Shire in the role of Connie Corleone. But there were new roles to fill, none more important than Mary Corleone, the now grown-up daughter of the “godfather” himself, Michael Corleone. G3’s writer and director, […]

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Music History Monday: Ernest Bloch

We mark the birth on July 24, 1880 – 143 years ago today – of the Swiss-born American composer and educator Ernest Bloch, who was born in Geneva, Switzerland.  He died in Portland, Oregon, on July 15, 1959, at the age of 78. Establishing a Genealogy People trace their family trees for all sorts of reasons: to establish family connections, to collect family medical information, to meet other people engaged in such research, and so forth.  But at the root (pun intended) of these (and other) reasons to establish a family tree is the issue of self-identity: the desire to connect with oneself by connecting with one’s ancestors: learning what we can of who they were; where they came from; what sort of lives they led; and what they accomplished. With the advent of genetic testing sites like “23 and Me,” “AncestryDNA,” “LivingDNA,” and “HomeDNA,” the whole family tree trip has taken a crazy-giant step forward, in that our family trees have gone from saplings to 400-year-old oaks. A couple of years ago, bored to death during the pandemic and unable to resist any longer, my wife and I were so tested using the site “23 and Me.”  Here are […]

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Music History Monday: Elaine Stritch: An Appreciation

We mark the death on July 17, 2014 – 9 years ago today – of the Broadway and television actress Elaine Stritch, in Birmingham, Michigan, at the age of 89.  I personally have a soft spot in my heart for Ms. Stritch the size of Manitoba. She was your quintessential brassy, tart-tongued (a euphemism for foul mouthed), cigarette smoking, alcohol-soaked blonde who took nothing from no one and could sell a song like nobody’s business.  (Please note that I didn’t say “sing a song” but rather, “sell a song.” Her ability to do so will be discussed in tomorrow’s Dr. Bob Prescribes post.) It is my great hope that by the time you finish this Music History Monday and tomorrow’s Dr. Bob Prescribes posts, you will have come to love her almost as much as I do. My decision to profile Elaine Stritch is, in my estimation, a great sign of respect, given the other musical events of the day.  Both the tenor saxophonist John Coltrane and the singer Billie Holiday died on this date, in 1967 and 1959, respectively.  (Be assured that both of these luminaries – Coltrane and Holiday – will receive their due on these pages sooner […]

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Music History Monday: When You Dance with the Devil

We mark the birth on July 10, 1895 – 128 years ago today – of the German composer and educator Carl Heinrich Maria Orff.  Born in Munich, he died in that city on March 29, 1982, at the age of 86. The Good News Orff lived a long and productive life.  He was a composer of considerable talent whose works draw on influences as diverse as ancient Greek tragedy and medieval chant, Baroque theater, and Bavarian peasant life.  His so-called “scenic cantata”, Carmina Burana (of 1936), remains an audience favorite today.  Along with the German educator Gunild Keetman, Orff developed a musical education method in the 1920s called the Orff Schulwerk, or the “Orff Approach,” a methodology that integrates music, movement, speech, and drama in a manner based on what children do instinctively, and that is play.  Today, the Orff Approach is employed around the world and is one of the four major developmental music educational methodologies. The other three are the Kodály Method (created by the Hungarian composer and educator Zoltán Kodály, 1882-1967); the Suzuki Method (created by the Japanese violinist and educator Shinichi Suzuki, 1898-1998), and Dalcroze Eurhythmics (created by the Swiss composer and educator Emile Jaques-Dalcroze, 1865-1950). […]

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Music History Monday: Leoš Janáček: Composer, Patriot, and Patriot Composer!

We mark the birth on July 3, 1854 – 169 years ago today – of the Moravian (meaning Czech) composer, music theorist, folklorist, and teacher Leoš Janáček. Born in the village of Hukvaldy in what today is the Czech Republic, he died on August 12, 1928 in the city of Ostrava, today the capital of the Moravian-Silesian Region of the Czech Republic. It’s All in the Name! Dale Carnegie (1888-1955) was an American writer and lecturer known for his self-help guides to self-improvement, salesmanship, corporate training, public speaking, and interpersonal skills. If he were alive today, he’d be on the speaking circuit, doing Ted Talks and, perhaps, making a fortune through a video self-help network. But given the comparatively limited technology of his day, Carnegie made his living writing books, books with such titles as The Art of Public Speaking (first published in 1915); How to Stop Worrying and Start Living (1948), and The Quick and Easy Way to Effective Speaking (1962). But Dale Carnegie’s most famous and influential tome – one that remains in print today after 87 years! – is How to Win Friends and Influence People, first published in 1936. Among the thousands of assuredly useful tidbits […]

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Music History Monday: You’ve Got to be Kidding

‘Fessing Up Okay: you’re going to have to bear with me for one of my idiotic tangents, one that nevertheless explains precisely how I feel about Mozart and his music at a gut level.  What follows is a deep confession, something I’ve never shared before.  Be forewarned though, that once you’ve read and/or heard this confession (depending upon whether you’re reading Music History Monday as a blog or listening to it as a podcast), it cannot be unread or unheard. Here goes. Since childhood, I have had a deep and abiding affection for horror films, the gnarlier, the gnastier, the better.  Yes, color me juvenile if you must, but there it is.  Among the very greatest masters of the genre is the American filmmaker John Carpenter (born 1948), whose oeuvre includes such classics as the Halloween franchise, Escape From New York, Escape from L.A., Christine, The Fog, Assault on Precinct 13, They Live, and Prince of Darkness.  But for my dinaro, Carpenter’s magnum opus is The Thing (which was released in 1982).  Critically panned when it first opened, it is today considered (by those of us who consider it at all) to be a masterwork of graphic, on occasion inadvertently […]

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