In Six, Short Years! Yesterday’s Music History monday post concluded by observing that in the six short years between 1964 and 1970, the Beatles amassed a total of 20 number one songs on the Billboard Hot 100 Chart, a number that here, 53 years later, remains a record. As a public service, here are the top 10 top ten performers with the most #1 hits: In addition to those songs that charted #1 on the Billboard Hot 100, the Beatles had an additional seven (further) number one songs on the UK Singles Record Retailer Chart, giving them a total of 27 number one songs on the combined US and UK charts. When we consider that The Beatles, as a group, were together for not quite eight years – from August 18, 1962, to May 8, 1970, when the album Let it Be was released – that’s a level of popular and artistic success that’s just a bit insane. What makes that 27 number one hits so difficult to fathom – something that separates the Beatles entirely from the competition – is that they were all originals, songs written by three members of the band: Paul McCartney, John Lennon, […]
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Robert Greenberg
Historian, Composer, Pianist, Speaker, Author
Author Archive for Robert Greenberg – Page 11
On August 14, 1962 – 61 years ago today – the manager of the Beatles Brian Epstein made a phone call to the drummer Ringo Starr, inviting him to join the band. As I suspect we are all aware, Starr said “yes.” Two days later, on August 16, Epstein had the unenviable task of firing the band’s present drummer, Randolph Peter “Pete” Best (born Randolph Peter Scanland, 1941), who had been the Beatles’ drummer for almost exactly two years, since August 1960. Best’s firing, effective on August 18, 1962, was, for Best, the worst timing ever. 17 days later, on September 4, 1962, a reconfigured Beatles with Ringo Starr as drummer recorded their first #1 hit and went from nobodies to superstars in the span of a few weeks. Pete Best (Born 1941) Peter Best was born on November 24, 1941, in Madras, which was then part of British India. His father, a marine engineer named Donald Peter Scanland, died during World War Two. Pete’s mother Mona went on to marry a British officer from Liverpool named Johnny Best, with whom she had a second son, this one named Rory. In 1945, the Best family returned to Britain on […]
Continue ReadingYesterday’s Music History Monday post was all about auctions; specifically, auctions of Elvis Presley memorabilia. As we observed yesterday, the most expensive piece of Elvis memorabilia sold to date that isn’t a gold Rolex watch is Presley’s 1942 Martin D-18 guitar, Serial Number 80221, which was auctioned off for $1,320,000 August 1, 2020. As I suggested in yesterday’s post, given its historical importance and provenance – Elvis owned the guitar between 1954 and 1956, began his career and made his first recordings (for Sun Records) with the guitar – the $1.32 million paid for the thing was a steal, anyway you strum it. Anyway, that post about the prices paid for Elvis’ stuff got me to thinking about the prices paid for music manuscripts by the “great” composers, prices that dwarf the amount paid for Elvis’ Martin D-18 guitar. The high prices brought by such manuscripts are a function of rarity. Handwritten musical scores by household name composers are excessively rare, as the overwhelming majority of those that have survived are safely locked away in climate-controlled vaults in libraries and museums. There are a few such autograph manuscripts – or “holographs” – still in private hands, and on the exceedingly […]
Continue ReadingWe mark an online auction that concluded on August 7, 2008 – 15 years ago today – at which Elvis Presley’s white, sweat-stained, high-collared, plunging V-necked jumpsuit, decorated with a dazzling, hand-embroidered blue and gold peacock – sold for $300,000. (Because I know you want to know, the jumpsuit is cinched at the waist by a wide belt decorated in gold medallions in a design meant to resemble the eye of a peacock feather, all of it an ongoing reflection of Elvis’ fascination with peacocks as being his personal good luck symbol.) The outfit cost Elvis a cool $10,000. It was designed by the Los Angeles couturier Bill Belew (1931-2008), who designed all of The King’s stage wardrobe between 1968 and 1977. Talk about provenance (something we’ll define and discuss in just a bit)! Aside from Elvis’ personal sweat stains (do they still . . . give off an odor?), he performed wearing the jumpsuit for the better part of a year. Elvis first wore the “peacock” at a concert at the Forum in Los Angeles on May 11, 1974. He then performed wearing it in Las Vegas and wore it as well on the cover of his album “Promised […]
Continue ReadingYesterday’s Music History Monday was generally about nepo (as in “nepotism”) babies: “the children of celebrities who have succeeded in the same or adjacent career as their celebrity parents or other esteemed relatives. The implication is that, because their parents already had connections to an industry, the child was able to use those connections to build a career in that industry.” Specifically, yesterday’s Music History Monday marked the 77th birthday of Gary (Levitch) Lewis, the son of the comedian Jerry Lewis and a nepo baby par excellence. Gary Lewis’ mother – Patti Palmer – was a professional singer who gave her son a set of drums when he was 15. At the age of 18, he formed a band with four friends. Since his mother was underwriting the band’s equipment purchases, Lewis got top billing, and the band was called “Gary and the Playboys.” The band was taken on by the American record producer Snuff Garrett, not because they were particularly good but because Garrett saw the band as an opportunity to capitalize off of Gary’s father, the presumed “King of Comedy” himself, Jerry Lewis. In yesterday’s post, we observed that Gary Lewis was not much of a […]
Continue ReadingBefore we get to the actual date-related topic for today, I beg your indulgence, as I need to tell you a story. It’s a story that most of you know, at least in part. Again, indulge me. The Godfather III – the third film in the storied Godfather franchise, released in 1990 – was one of the most anticipated films of all time. And no wonder: the first of the Godfather movies – The Godfather, or “G1”, released in 1972 – was nominated for eleven Academy Awards and received three, including Best Picture and Best Actor (for Marlon Brando). G2, released two years later in 1974 was also nominated for eleven Academy Awards, winning six of them, including Best Picture and Best Supporting Actor (for Robert DeNiro). So G3 – The Godfather III – had a lot riding on it. Much of the casting was easy. Al Pacino returned in the role of Michael Corleone; Diane Keaton in the role of Kaye Corleone; and Talia Shire in the role of Connie Corleone. But there were new roles to fill, none more important than Mary Corleone, the now grown-up daughter of the “godfather” himself, Michael Corleone. G3’s writer and director, […]
Continue ReadingThe composer, conductor, pianist, violinist, watercolorist, photographer, and teacher Ernest Bloch (1880-1959) was born 143 years ago yesterday in Geneva, Switzerland. He grew up in a middle-class household; his father Maurice Bloch was a merchant and his mother Sophie (née Brunschwig) was a highly cultured, stay-at-home mother. The Bloch’s were Jewish, and both religious and cultural Judaism played a powerful role in Bloch’s childhood. (A brief explanation here. Many Jews, particularly Reform Jews like myself, differentiate between our cultural background and our religious background. Judaism is a very ancient way of life-slash-religion; the current Hebrew year is 5783. That’s a long time and it encompasses a lot of history, a lot of art and literature, a lot of human experience, a lot of food, and a lot of guilt. More than just a form of worship, then, Judaism is a cultural way of life and a moral code of conduct based on the Golden Rule of “do unto others as you would have them do unto you,” or so believe secular Jews like myself. This is why people like me – who are nonbelievers [or nearly so] – can still identify powerfully as Jews, despite the fact that ultra-religious […]
Continue ReadingWe mark the birth on July 24, 1880 – 143 years ago today – of the Swiss-born American composer and educator Ernest Bloch, who was born in Geneva, Switzerland. He died in Portland, Oregon, on July 15, 1959, at the age of 78. Establishing a Genealogy People trace their family trees for all sorts of reasons: to establish family connections, to collect family medical information, to meet other people engaged in such research, and so forth. But at the root (pun intended) of these (and other) reasons to establish a family tree is the issue of self-identity: the desire to connect with oneself by connecting with one’s ancestors: learning what we can of who they were; where they came from; what sort of lives they led; and what they accomplished. With the advent of genetic testing sites like “23 and Me,” “AncestryDNA,” “LivingDNA,” and “HomeDNA,” the whole family tree trip has taken a crazy-giant step forward, in that our family trees have gone from saplings to 400-year-old oaks. A couple of years ago, bored to death during the pandemic and unable to resist any longer, my wife and I were so tested using the site “23 and Me.” Here are […]
Continue ReadingToday’s Dr. Bob Prescribes post is a bit different from any other I’ve done to date. Instead of offering up a recommended recording, or a video, or a book, I’m prescribing a person: the indomitable Elaine Stritch (1924-2014). Love her or not, she was like a gorilla in your boudoir: impossible to ignore. She was one-of-a-kind and deserves to be celebrated! Madame Stritch Nearing the End On February 17, 2014, just five months before she passed away on July 17, 2014, at the age of 89, a wheelchair-bound Elaine Stritch appeared onstage at the 92nd Street Y (in New York City) for an interview. Stritch’s age and infirmity meant nothing; seven particularly good one-liners from that interview are linked below: The Emmy Award-winning actress Holland Taylor (born 1943) said this about her long-time friend and mentor, Elaine Stritch: “There was always the element of danger with her, and the possibility of dying of embarrassment.” That there was. Stritch was, in turns, loud, domineering, irascible, volcanic, and funny as hell, a consummate entertainer who carried – and happily celebrated! – her many demons on her sleeve. A self-professed “gravel voiced broad,” her career – which began in the 1940s – […]
Continue ReadingWe mark the death on July 17, 2014 – 9 years ago today – of the Broadway and television actress Elaine Stritch, in Birmingham, Michigan, at the age of 89. I personally have a soft spot in my heart for Ms. Stritch the size of Manitoba. She was your quintessential brassy, tart-tongued (a euphemism for foul mouthed), cigarette smoking, alcohol-soaked blonde who took nothing from no one and could sell a song like nobody’s business. (Please note that I didn’t say “sing a song” but rather, “sell a song.” Her ability to do so will be discussed in tomorrow’s Dr. Bob Prescribes post.) It is my great hope that by the time you finish this Music History Monday and tomorrow’s Dr. Bob Prescribes posts, you will have come to love her almost as much as I do. My decision to profile Elaine Stritch is, in my estimation, a great sign of respect, given the other musical events of the day. Both the tenor saxophonist John Coltrane and the singer Billie Holiday died on this date, in 1967 and 1959, respectively. (Be assured that both of these luminaries – Coltrane and Holiday – will receive their due on these pages sooner […]
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