We mark the premiere performance on June 21, 1868 – 153 years ago today – of Richard Wagner’s music drama The Mastersingers of Nuremberg. The performance took place at the National Theater Munich, which today is the home of the Bavarian State Opera. Conducted by Franz Liszt’s student (and son-in-law) and Wagner’s protégé Hans von Bülow, the performance was sponsored and paid for by none-other-than the mad king himself, Ludwig II of Bavaria (1885-1886). Excepting Wagner’s second complete and first performed opera Das Liebesverbot (“The Ban on Love” of 1836, a work that Wagner ultimately rejected) The Mastersingers of Nuremberg was Wagner’s one-and-only operatic comedy. Wagner and Verdi: A Brief (and Important!) Comparison For all their many and seemingly irreconcilable differences, Richard Wagner and Giuseppe Verdi had rather more in common than we might think. They were exact contemporaries, born 4 months and 19 days apart: Wagner on May 22, 1813 (he died on February 13, 1883) and Verdi on October 10, 1813 (he died on January 27, 1901). They were the leading nineteenth-century exponents of their respective operatic traditions: Verdi Italian opera and Wagner German. They were both considered ardent patriots by their countrymen, composers who, each in his own […]
Continue Reading
Robert Greenberg
Historian, Composer, Pianist, Speaker, Author
Archive for San Francisco Performances – Page 15
We mark the death on June 14, 1994 – 27 years ago today – of the composer, songwriter, conductor, and arranger Enrico Nicola “Henry” Mancini in Beverly Hills, California, at the age of seventy. Known primarily for his film and television scores, Mancini received twenty Grammy Awards and four Oscars. Today’s Music History Monday and Tomorrow’s Dr. Bob Prescribes posts are conceived as a single large unit. Here’s how they will play out. Henry Mancini was the most influential American film composer of his generation. He was also the outstanding composer of what is now called the “modern Hollywood film score.” Today’s post will dwell on what constitutes the “modern Hollywood film score”, how it evolved, why it evolved, and why Mancini is considered its supreme representative. Tomorrow’s Dr. Bob Prescribes post will offer up Mancini’s biography along with the recommended discs, which feature his best-known works, including his Oscar-winning songs Moon River and Days of Wine and Roses, and his scores to Peter Gunn, Breakfast at Tiffany’s, and The Pink Panther, among many others. My Music History Monday and Dr. Bob Prescribes posts for February 8 and 9 of this year, respectively, dealt with the life and music of […]
Continue ReadingOn June 7, 1727 – 294 years ago today – a long-running feud between the sopranos Francesca Cuzzoni and Faustina Bordoni broke out into open warfare – a screaming, hair-pulling, dress-ripping physical altercation on stage, in London – during a performance of Giovanni Bonancini’s opera Astianatte (of 1725). After pulling the “ladies” apart and dragging them from the stage, not only was the remainder of the performance cancelled but the remainder of George Frederick Handel’s Royal Academy of Music opera season as well! (FYI: Sources are in disagreement as to whether this brouhaha took place on Tuesday, June 6 or Wednesday, June 7, 1727. Obviously, I’ve chosen to run with the latter date.) Here’s what happened. The Italian operatic soprano Francesca Cuzzoni was born in Parma on April 2, 1696, and died on June 19, 1778 in Bologna. In 1718, at the age of 22, she made her Venetian operatic debut: the equivalent today of making a La Scala or Metropolitan Opera debut. By 1723 – the year she made her London debut – Cuzzoni was one of the most celebrated singers in all of Europe. Then as now, star singers ruled the operatic roost, and London’s greatest opera impresario […]
Continue ReadingWe mark the premiere on May 24, 1803 – 218 years ago today – of Beethoven’s Violin Sonata No. 9 in A major, Op. 47. When published in 1805, it was dedicated to the French violinist Rodolphe Kreutzer, and has been known as the “Kreutzer Sonata” ever since. However, it was originally dedicated to the famed violinist George Bridgetower, who, along with Beethoven, premiered the work 218 years ago today. How and why George Bridgetower originally received and then lost the dedication of the sonata makes for quite a story! General Jean Baptiste Jules Bernadotte (1763-1844) was an extraordinary character, the only of Napoleon Bonaparte’s generals to achieve any post-Napoleonic success on his own: he reigned as King of Norway and Sweden from 1818-1844. (Not bad for the son of a tailor from the nowheresville city of Pau in southwestern France!) In February of 1798, long before he became King of Sweden and Norway (where he was known as “Charles/Carl XIV John”), the young and Hollywood good-looking Bernadotte was appointed the French minister to the Habsburg Emperor in Vienna. He didn’t last long in the job; Napoleon himself referred to Bernadotte as being “somewhere between hotheaded and crazy”, but he […]
Continue ReadingWe mark the birth, on May 17, 1866 – 155 years ago today – of the French composer and provocateur Erik Alfred-Leslie Satie. He was born in the ancient port town of Honfleur, situated in Normandy at the mouth of the Seine River on the English Channel, roughly 100 miles northwest of Paris. According to a brief biographical snippet found on the internet, Satie was: “Known for his eccentricities and verbal virtuosity.” Oh my goodness, that’s not even a hundredth of it! This post is dedicated to Satie’s life and personality. Tomorrow’s Dr. Bob Prescribes will delve more deeply into his music, specifically his masterwork, Socrate, of 1918. A preemptive apologia. There will be sections in this post that will drop names faster than a flock of gulls does guano. That’s okay; Satie lived and worked in Paris during a period called the Belle Époque, during which the city was home to a concentration of talent – artistic, literary, and musical – perhaps unparalleled in human history before or since. On the Fringe Satie followed his own drummer from almost the beginning of his life. Her lost his mother to illness in 1872, when he was just six. He moved […]
Continue ReadingWe mark the deadly riot on May 10, 1849 – 172 years ago today – that took place at the Astor Place Opera House in New York City. Between 22 and 31 people were killed and many hundreds more injured, in a riot that pitted immigrants and members of the working class against the wealthy elite who controlled the city’s police and militia. Gala Openings, Class War, and Opera (and Theater) in the United States We’ve all seen pictures of the things; I imagine some of us have even attended them: opera galas. In San Francisco (where the San Francisco Opera is second only to the Metropolitan Opera in terms of its budget and number of performances), the season opening opera gala is the major social event for those fine people who “do” major social events. Tickets for the gala cost a small fortune. For the men, black tie is de rigueur; for the women, off-the-shoulder gowns, freshly coiffed hair, and tons of jewelry are, but of course. As best as I can tell, the social point of the gala is to be perceived as a member of the exclusive club that is “high society”: to be seen and to […]
Continue ReadingMay 3 is a date rich in birthdays for American popular music. Let us acknowledge three of them before moving on to the particular birthday that has inspired this post. On May 3, 1919 – 102 years ago today – the American folk singer and songwriter Pete Seeger was born in New York City. Seeger was the prototypical American folk-singing, left-wing social activist. A man and musician allied with the working class and workers’ rights, he was blacklisted during the McCarthy Era only to re-emerge as an important singer of protest music in the 1960s in the service of the anti-Vietnam War movement, the civil rights movement, international disarmament, the environment, and whatever might be considered the “counterculture” at any given time. As a prominent voice and songwriter on the radio in the 1940s and founding member of the Weavers (in 1948), Seeger created a body of music that remains the backbone of the folk repertoire, including such songs as Where Have All the Flowers Gone, If I Had a Hammer (The Hammer Song), Kisses Sweeter Than Wine and Turn! Turn! Turn! He died an American legend on January 27, 2014 at the age of 94. On May 3, 1933 […]
Continue ReadingWe mark the arrival in New York City on April 26, 1891 – 130 years ago today – of Pyotr Ilyich Tchaikovsky. He had come to America to conduct his own music and to help inaugurate Carnegie Hall (on May 5, 1891) by conducting his own Coronation Festival Overture. Tchaikovsky at Fifty Pyotr Ilyich Tchaikovsky was born on May 7, 1840 in the Russian town Votkinsk, roughly 630 miles east of Moscow. He might have started his life in the sticks, but he didn’t stay there, and by the age of fifty – in 1890 – he was one of the most beloved composers in the world and a Russian national hero. Photographs taken at the time depict a balding, grey haired and bearded man seemingly well advanced of fifty years, though in this, appearances can be deceiving. At the age of fifty Tchaikovsky was at the very top of his musical game and at the apogee of his fame. A single anecdote will suffice for his stature among contemporary Russian artists. During the winter of 1889, Tchaikovsky met a young medical-student-turned-writer at his brother Modest’s house named Anton Chekhov (1860-1904). At the time of their meeting Tchaikovsky expressed admiration […]
Continue ReadingWe mark the posthumous premiere on April 19, 1936 – 85 years ago today – of Alban Berg’s breathtaking Violin Concerto. Its score bears a double dedication: “To Louis Krasner” (1903-1995; Krasner was the violinist who commissioned and premiered the concerto) and “To the Memory of an Angel” (the significance of which will be explained in due time). Albano Maria Johannes Berg was born in Vienna on February 9, 1885. He died there 50 years later, on December 24, 1935. Berg was born into a highly cultured family that travelled in the highest circle of Vienna’s cultural elite, at a time when Vienna was home to a staggering amount of talent. Berg numbered among his friends Gustav and Alma Mahler, the writers Stefan Zweig (1881-1942) and Karl Kraus (1874-1936); the architect Adolf Loos (1870-1933); and the artists Gustav Klimt (1862-1918) and Oskar Kokoschka (1886-1980). Among others. That’s quite a crew. A tall (he grew to be 6’5” in height), gangly, shy child, the young Berg was more interested in literature than music. A few elementary piano lessons aside, Berg had no formal musical training whatsoever until 1904, when he was 19. That was when he began composition lessons with the […]
Continue ReadingWe mark the death on April 12, 1814 – 207 years ago today – of the English music historian and composer Charles Burney, in London. One rarely achieves much fame or fortune as a music historian; you can trust me on this; it’s something I know about firsthand. Nevertheless, Dr. Burney (he was awarded an honorary Doctor of music degree from Oxford) achieved a bit of both fame and fortune in his lifetime and immortality since. That’s because he didn’t just write blogs or record podcasts about music history; it’s because he lived it. Lots more on this once we (quickly) get through his biographical preliminaries. He was born on April 7, 1726 in the market town of Shrewsbury, some 150 miles northwest of London. (For our information, Shrewsbury was, as well, the hometown of Charles Darwin.) The artistic gene was in the family: Burney’s father James was a musician, dancer, and portrait painter. Young Charles was trained on the organ, harpsichord, violin and in composition. For three years he was apprenticed in London with Thomas Arne (1710-1778), the most important English-born composer of theater music in the eighteenth century. (Many of us might not have heard of Arne, but […]
Continue Reading