Romanticism The nineteenth century saw the emergence of a new sort of European literature. The cutting-edge writers of the time were consumed by a number of particular themes: the glorification of extreme emotion, particularly love; nostalgia for a distant, mystical, legendary past; and a passionate enthusiasm for nature wild and free, unspoiled by humanity and its bourgeois values! Soon enough, visual artists and composers embraced these themes as well. For many such nineteenth century writers, poets, visual artists, and composers, over-the-top expressive content, nostalgia for the past, personal confession and the depiction of nature wild and free were the vehicles for achieving what their art – at its essence – was all about: spontaneous and magnified emotional expression. The adjective “Romantic” came to be used to describe such emotionally charged and self-expressive art. And no nineteenth century, “Romantic era” composer believed more fervently in music as personal, emotional, and spiritual confessional than did Robert Schumann (1810-1856). Robert Schumann: Early Life He was born in the central German town of Zwickau on June 8, 1810, the fifth and last child of August Schumann and Joanna Christiana Schumann (née Schnabel). We are told that if we do what we love, we’ll […]
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