Robert Greenberg

Historian, Composer, Pianist, Speaker, Author

Archive for Music History Monday – Page 7

Music History Monday: Armando Anthony “Chick” Corea

We mark the birth on June 12, 1941 – 82 years ago today – of the pianist and composer Armando Anthony “Chick” Corea, in Chelsea, Massachusetts.  He died of cancer after a brief illness on February 9, 2021, at his home just outside of Tampa Bay, Florida, at the age of 79. Chick Corea’s spectacularly varied, 50-plus year career as a professional musician offers an object lesson in both the necessity and futility of labels.   “Spectacularly varied” is the operative phrase in the sentence above.  In the mid-1960s Corea became deeply involved in Latin American music, having broken in with the Cuban bandleader and percussionist Mongo Santamaria (1917-2003) and the Puerto Rican-American bandleader and percussionist Willie Bobo (whose real name was Willie Correa, no relation, 1934-1983).   In the late 1960s and early 1970s, Corea played with the Miles Davis (1926-1991) band (he played piano on seven of Miles Davis’ albums, including Davis’ classic Bitches Brew album of 1969).  As such, the Chick-Meister was a full-participant in Davis’ electrified experiment in fusion, in synthesizing jazz and rock ‘n’ roll. In 1970 and 1971 Corea led his own, avant-garde, free jazz band called Circle. In 1972, Corea formed his jazz/Latin […]

Continue Reading

Music History Monday: Never Eat Anything That Can Bite You Back!

On June 5, 1977 – 46 years ago today – the shock-rock superstar Alice Cooper’s pet boa constrictor and concert co-star, a creature rather cleverly named “Julius Squeezer,” suffered what turned out to be a fatal bite from a live rat it was eating for breakfast. No doubt: Julius probably should have ordered the scrambled eggs and toast, and in doing so would have heeded the advice offered by the title of this post: “never eat anything that can bite you back.” This is a heartbreaking tale, a tragic love story between a boy and his reptile, a love story brought to an ignominious end by an alpha-rodent. But it is also a story of hope, renewal, and love rekindled, as the auditions Alice Cooper subsequently held for a replacement snake allowed him to discover his new boa, a precious girl-snake named “Angel.” Now of course we’re going to expand on this saga of reptilian eradication-by-rambunctious-rat and subsequent replacement in just a bit. But first, we’d observe two other, date-relevant items. First, we mark the birth on June 5, 1941 – 82 years ago today – of the pianist Martha Argerich, in Buenos Aires, Argentina. To my ear and mind, […]

Continue Reading

Music History Monday: Isaac Albéniz

On May 29, 1860 – 163 years ago today – the composer and pianist Isaac Albéniz was born in Camprodón, Spain.  Albéniz was a brilliant pianist and, as evidenced by his 12-movement suite for piano entitled Iberia (written between 1905-1909), a composer of genius.   However, before we can get to Maestro Albéniz, I would beg your indulgence while we celebrate this remarkable day in music history! Also born on this date was the Austrian-American composer Erich Wolfgang Korngold, who came into this world in 1893 in Brno, in what today is the Czech Republic; he died in Los Angeles in 1957.  The Romanian-born Greek composer Iannis Xenakis was born on this day in 1922 in Brâila, Romania; he died in Paris in 2001.  The American singer, songwriter, and composer Danny Elfman was born on this day in 1953; the singer LaToya Jackson in 1956; and the Academy Award and Grammy Award winning singer and songwriter Melissa Etheridge in 1961. Sadly but not unexpectedly, notable people from the world of music passed away on this date as well.   May 29,1910, saw the death of Mily Balakirev in St. Petersburg;he was 73 years old. On this day in 1911, the […]

Continue Reading

Music History Monday: Giuseppe Verdi and the Requiem for Alessandro Manzoni

We mark the first performance on May 22, 1874 – 149 years ago today – of Giuseppe Verdi’s Requiem, written in memory of the Italian novelist, poet, and patriot Alessandro Manzoni (1785-1872).” Background In June of 1870, the 57-year-old Giuseppe Verdi (1813-1901) agreed to compose an opera for the brand-new Cairo Opera Theater.  The Khedive Ismail Pasha of Egypt personally handled the negotiations, as the opera was to celebrate nothing less than the opening of the Suez Canal.  No expense was spared, either on the opera or on Verdi, who received the unheard-of commissioning fee of 150,000 gold francs: roughly $1,935,000 today! The opera – Aida – received its premiere in Cairo on December 24, 1871.  With no disrespect intended towards either the Khedive Ismail Pasha of Egypt or the Cairo Opera Theater, the opera’s real premiere – as far as Verdi and the larger opera world were concerned – took place six weeks later: at La Scala in Milan on February 8, 1872.  That Italian premiere was a triumph, the greatest of Verdi’s career to date.  He himself received 32 curtain calls! The only contemporary Italian artist who could possibly be considered as beloved as Giuseppe Verdi was the […]

Continue Reading

Music History Monday: Louis Moreau Gottschalk, or What Happens in Oakland Does Not Stay in Oakland

We mark the birth on May 8, 1829 – 194 years ago today – of the American composer and pianist Louis Moreau Gottschalk, in New Orleans. He died, all-too-young, on December 18, 1869 at the age of forty, in exile in Rio de Janeiro, Brazil. Events that occurred in September of 1865 in San Francisco, California and across the San Francisco Bay in Oakland led directly to Gottschalk’s “exile” to South America. Those frankly tawdry events, most unfairly, have been recounted way too often and as a result, they have come to obscure Gottschalk’s memory as a composer, pianist, patriot, and philanthropist. That’s because people like me continue to write about them as if they, somehow, encapsulated the totality of who and what Louis Moreau Gottschalk was. I hate myself for having participated in this unholy example of scandal mongering – I do – and I stand before you filled with shame and remorse. Nevertheless. Nevertheless, I fully intend to rehash these salacious events here and now with the understanding that following that rehash, we will spend the remainder of this post and all of tomorrow’s Dr. Bob Prescribes post doing penance, by providing a proper account of the cultural […]

Continue Reading

Music History Monday: The Enduring Miracle

On May 1, 1786 – on what was also a Monday, 237 years ago today – a miracle was heard for the first time: Wolfgang Mozart’s opera The Marriage of Figaro received its premiere at the Burgtheater in Vienna.   Some 100 years later, Johannes Brahms (1833-1897) wrote this about The Marriage of Figaro:  “Every number in Figaro is for me a marvel; I simply cannot fathom how anyone could create anything so perfect.  Such a thing has never been done, not even by Beethoven.” Herr Brahms, when you’re right, you’re right, and this case you are so right!  237 years after the premiere, Brahms’ awe of Mozart’s The Marriage of Figaro mirrors our own.  For many of us – myself included – it is, simply, the greatest opera ever composed.  Composing an Italian Language Opera for the Viennese On May 7th, 1783 – some three years before the premiere of The Marriage of Figaro – Mozart wrote the following in a letter to his father back in Salzburg: “The Italian opera buffa [here in Vienna] is very popular.  I have looked through more than a hundred libretti [meaning literally “little book,” the script of an opera] but I have […]

Continue Reading

Music History Monday: A Voice Like Buttah!

We mark the birth on April 24, 1942 – 81 years ago today – of the American singer, songwriter, actress, and filmmaker Barbara Joan “Barbra” Streisand, in Brooklyn, New York.   But first, before we get to the magnificent Babs, a brief but spirited edition of “This Day In Music History  . . .” okay, “stupid” is too strong a word, so let’s just call it, “This Day In Music History . . . Dumb.” On April 24, 2007 – 16 years ago today – the American musician, actress, singer, and songwriter Sheryl Crowe (born 1962) declared on her website that in order to help the environment, the use of toilet paper should be limited to: “only one square per restroom visit, except, of course, on those pesky occasions where two to three could be required.”  We cannot help but wonder precisely what “pesky occasions” Crowe might be referring to.  Additionally, we must assume that Ms. Crowe’s proscription again TP overuse was intended to be voluntary, as the issues surrounding enforcement are, indeed, troubling. Sheryl Crow’s environmental concerns extended, as well, to what she deemed to be the profligate use of napkins. She went so far as to design a […]

Continue Reading

Music History Monday: I Left My Nerve in San Francisco

We mark the final San Francisco performance – on the evening of Tuesday, April 17, 1906, 117 years ago today – of the great Italian tenor Enrico Caruso (1874-1921).  That performance at the no longer extant Grand Opera House at No. 2 Mission Street (between 2nd and 3rd Streets) was not intended to have been Caruso’s last local appearance, but circumstances beyond his control assured that it was! Enrico Caruso (1874-1921) Caruso was born into a poor family in Naples, Italy, on February 24th, 1874.  He was the third of seven children (and not the nineteenth of twenty-one, as Caruso himself often claimed!).  Following in the professional footsteps of his father, Marcellino Caruso, who was a mechanic, young Enrico was apprenticed to a mechanical engineer at the age of 11.  He “discovered” his voice singing in a church choir, and as a teenager he made a few extra dinero singing on the streets and in the cafes of Naples. At the age of 18, Caruso had something of a revelation, when he used money he had earned as a singer to buy his first new pair of shoes.  Realizing his real professional potential, he began taking voice lessons, and his […]

Continue Reading

Music History Monday: A Mama’s Boy, and Proud of It!

We mark the premiere on April 10, 1868 – 155 years ago today – of Johannes Brahms’ magnificent A German Requiem, for vocal soloists, chorus, and orchestra. Johannes Brahms, Again? I know I’ve been going heavy on Brahms (1833-1897) as of late. I would apologize if he wasn’t so fascinating a person and if his music wasn’t so darned good, but he was a fascinating person and his music is superb, so our continued attention is well deserved. It’s not as if we didn’t have other topical options for this date. For example, on this date in 1970 – 53 years ago today – Paul McCartney “officially” announced the split-up of The Beatles. Okay; whatever; if there’s one topic that’s gotten more play here in Music History Monday than Bach, Brahms and Beethoven combined, it’s the fourth “B”: The Beatles. The breakup of The Beatles? Sorry, but yawn. The “Wilhelm Scream” Then there’s this. April 10, 1921, marks the birth – 102 years ago today – of the American singer, songwriter, actor, and comedian Shelby Frederick “Sheb” Wooley, in Erick Oklahoma (he died in Nashville, Tennessee on September 16, 2003, at the age of 82). For the vast majority of […]

Continue Reading

Music History Monday: The Death of Johannes Brahms

We mark the death on April 3, 1897 – 126 years ago today – of the German composer and pianist Johannes Brahms at the age of 63.  One of the great ones and along with Sebastian Bach and Louis van Beethoven one of the three bees – the killer bees – Brahms was born in the Hanseatic port city of Hamburg on May 7, 1833. We will get to Maestro Brahms in just a moment but first – with appropriate fanfare – I offer up this edition of “This Day in Music History Stupid.” Ashes to Ashes; Dust to Dust; Be Kind to My Ashes, Though Snort if You Must On April 3, 2007 – 16 years ago today – the Reuters news agency reported that Rolling Stones guitarist Keith Richards (born December 18, 1943) admitted in a soon-to-be published interview with NME (New Musical Express) magazine that he had snorted his father’s ashes during a drug binge.  I think we’ve all wondered the same thing at some point or another: given his personal habits and corpse-like appearance, how and why is Keith Richards still alive, yet still performing at nearly 80 years of age? Richards would seem to be […]

Continue Reading