Robert Greenberg

Historian, Composer, Pianist, Speaker, Author

Archive for Music History Monday Podcast – Page 4

Music History Monday: When You Dance with the Devil

We mark the birth on July 10, 1895 – 128 years ago today – of the German composer and educator Carl Heinrich Maria Orff.  Born in Munich, he died in that city on March 29, 1982, at the age of 86. The Good News Orff lived a long and productive life.  He was a composer of considerable talent whose works draw on influences as diverse as ancient Greek tragedy and medieval chant, Baroque theater, and Bavarian peasant life.  His so-called “scenic cantata”, Carmina Burana (of 1936), remains an audience favorite today.  Along with the German educator Gunild Keetman, Orff developed a musical education method in the 1920s called the Orff Schulwerk, or the “Orff Approach,” a methodology that integrates music, movement, speech, and drama in a manner based on what children do instinctively, and that is play.  Today, the Orff Approach is employed around the world and is one of the four major developmental music educational methodologies. The other three are the Kodály Method (created by the Hungarian composer and educator Zoltán Kodály, 1882-1967); the Suzuki Method (created by the Japanese violinist and educator Shinichi Suzuki, 1898-1998), and Dalcroze Eurhythmics (created by the Swiss composer and educator Emile Jaques-Dalcroze, 1865-1950). […]

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Music History Monday: Leoš Janáček: Composer, Patriot, and Patriot Composer!

We mark the birth on July 3, 1854 – 169 years ago today – of the Moravian (meaning Czech) composer, music theorist, folklorist, and teacher Leoš Janáček. Born in the village of Hukvaldy in what today is the Czech Republic, he died on August 12, 1928 in the city of Ostrava, today the capital of the Moravian-Silesian Region of the Czech Republic. It’s All in the Name! Dale Carnegie (1888-1955) was an American writer and lecturer known for his self-help guides to self-improvement, salesmanship, corporate training, public speaking, and interpersonal skills. If he were alive today, he’d be on the speaking circuit, doing Ted Talks and, perhaps, making a fortune through a video self-help network. But given the comparatively limited technology of his day, Carnegie made his living writing books, books with such titles as The Art of Public Speaking (first published in 1915); How to Stop Worrying and Start Living (1948), and The Quick and Easy Way to Effective Speaking (1962). But Dale Carnegie’s most famous and influential tome – one that remains in print today after 87 years! – is How to Win Friends and Influence People, first published in 1936. Among the thousands of assuredly useful tidbits […]

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Music History Monday: You’ve Got to be Kidding

‘Fessing Up Okay: you’re going to have to bear with me for one of my idiotic tangents, one that nevertheless explains precisely how I feel about Mozart and his music at a gut level.  What follows is a deep confession, something I’ve never shared before.  Be forewarned though, that once you’ve read and/or heard this confession (depending upon whether you’re reading Music History Monday as a blog or listening to it as a podcast), it cannot be unread or unheard. Here goes. Since childhood, I have had a deep and abiding affection for horror films, the gnarlier, the gnastier, the better.  Yes, color me juvenile if you must, but there it is.  Among the very greatest masters of the genre is the American filmmaker John Carpenter (born 1948), whose oeuvre includes such classics as the Halloween franchise, Escape From New York, Escape from L.A., Christine, The Fog, Assault on Precinct 13, They Live, and Prince of Darkness.  But for my dinaro, Carpenter’s magnum opus is The Thing (which was released in 1982).  Critically panned when it first opened, it is today considered (by those of us who consider it at all) to be a masterwork of graphic, on occasion inadvertently […]

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Music History Monday: Our Kind of Musician

We mark the birth on June 19, 1810 – 213 years ago today – of the German virtuoso violinist and composer, Ferdinand David.  Born in the exact same house in Hamburg that saw Felix Mendelssohn’s birth 16½ months before, David died while on vacation in Switzerland on July 18, 1873, at the age of 63.  We will get to the specifics of Maestro David’s life and career and why, to my mind, he is “our kind of musician” in a moment.  But first, with your indulgence, a brief bit of editorializing. When the Performer Becomes the Show Marlon Brando (1924-2004).  Yes, Marlon Brando: actor, director, activist, and father of at least 16 children (at least 16 children).  I would respectfully suggest that a movie with Marlon Brando is not so much a movie in which Marlon Brando plays a role as it is a movie in which Marlon Brando plays Marlon Brando playing a role.  Accordingly, I would assert that in A Streetcar Named Desire, Marlon Brando portrays Marlon Brando portraying Stanley Kowalski; in The Godfather, Marlon Brando portrays Marlon Brando playing Vito Corleone; in Apocalypse Now, Marlon Brando portrays Marlon Brando playing Colonel Walter Kurtz, and so forth.  Brando […]

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Music History Monday: Armando Anthony “Chick” Corea

We mark the birth on June 12, 1941 – 82 years ago today – of the pianist and composer Armando Anthony “Chick” Corea, in Chelsea, Massachusetts.  He died of cancer after a brief illness on February 9, 2021, at his home just outside of Tampa Bay, Florida, at the age of 79. Chick Corea’s spectacularly varied, 50-plus year career as a professional musician offers an object lesson in both the necessity and futility of labels.   “Spectacularly varied” is the operative phrase in the sentence above.  In the mid-1960s Corea became deeply involved in Latin American music, having broken in with the Cuban bandleader and percussionist Mongo Santamaria (1917-2003) and the Puerto Rican-American bandleader and percussionist Willie Bobo (whose real name was Willie Correa, no relation, 1934-1983).   In the late 1960s and early 1970s, Corea played with the Miles Davis (1926-1991) band (he played piano on seven of Miles Davis’ albums, including Davis’ classic Bitches Brew album of 1969).  As such, the Chick-Meister was a full-participant in Davis’ electrified experiment in fusion, in synthesizing jazz and rock ‘n’ roll. In 1970 and 1971 Corea led his own, avant-garde, free jazz band called Circle. In 1972, Corea formed his jazz/Latin […]

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Music History Monday: Never Eat Anything That Can Bite You Back!

On June 5, 1977 – 46 years ago today – the shock-rock superstar Alice Cooper’s pet boa constrictor and concert co-star, a creature rather cleverly named “Julius Squeezer,” suffered what turned out to be a fatal bite from a live rat it was eating for breakfast. No doubt: Julius probably should have ordered the scrambled eggs and toast, and in doing so would have heeded the advice offered by the title of this post: “never eat anything that can bite you back.” This is a heartbreaking tale, a tragic love story between a boy and his reptile, a love story brought to an ignominious end by an alpha-rodent. But it is also a story of hope, renewal, and love rekindled, as the auditions Alice Cooper subsequently held for a replacement snake allowed him to discover his new boa, a precious girl-snake named “Angel.” Now of course we’re going to expand on this saga of reptilian eradication-by-rambunctious-rat and subsequent replacement in just a bit. But first, we’d observe two other, date-relevant items. First, we mark the birth on June 5, 1941 – 82 years ago today – of the pianist Martha Argerich, in Buenos Aires, Argentina. To my ear and mind, […]

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Music History Monday: Isaac Albéniz

On May 29, 1860 – 163 years ago today – the composer and pianist Isaac Albéniz was born in Camprodón, Spain.  Albéniz was a brilliant pianist and, as evidenced by his 12-movement suite for piano entitled Iberia (written between 1905-1909), a composer of genius.   However, before we can get to Maestro Albéniz, I would beg your indulgence while we celebrate this remarkable day in music history! Also born on this date was the Austrian-American composer Erich Wolfgang Korngold, who came into this world in 1893 in Brno, in what today is the Czech Republic; he died in Los Angeles in 1957.  The Romanian-born Greek composer Iannis Xenakis was born on this day in 1922 in Brâila, Romania; he died in Paris in 2001.  The American singer, songwriter, and composer Danny Elfman was born on this day in 1953; the singer LaToya Jackson in 1956; and the Academy Award and Grammy Award winning singer and songwriter Melissa Etheridge in 1961. Sadly but not unexpectedly, notable people from the world of music passed away on this date as well.   May 29,1910, saw the death of Mily Balakirev in St. Petersburg;he was 73 years old. On this day in 1911, the […]

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Music History Monday: Giuseppe Verdi and the Requiem for Alessandro Manzoni

We mark the first performance on May 22, 1874 – 149 years ago today – of Giuseppe Verdi’s Requiem, written in memory of the Italian novelist, poet, and patriot Alessandro Manzoni (1785-1872).” Background In June of 1870, the 57-year-old Giuseppe Verdi (1813-1901) agreed to compose an opera for the brand-new Cairo Opera Theater.  The Khedive Ismail Pasha of Egypt personally handled the negotiations, as the opera was to celebrate nothing less than the opening of the Suez Canal.  No expense was spared, either on the opera or on Verdi, who received the unheard-of commissioning fee of 150,000 gold francs: roughly $1,935,000 today! The opera – Aida – received its premiere in Cairo on December 24, 1871.  With no disrespect intended towards either the Khedive Ismail Pasha of Egypt or the Cairo Opera Theater, the opera’s real premiere – as far as Verdi and the larger opera world were concerned – took place six weeks later: at La Scala in Milan on February 8, 1872.  That Italian premiere was a triumph, the greatest of Verdi’s career to date.  He himself received 32 curtain calls! The only contemporary Italian artist who could possibly be considered as beloved as Giuseppe Verdi was the […]

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Music History Monday: Louis Moreau Gottschalk, or What Happens in Oakland Does Not Stay in Oakland

We mark the birth on May 8, 1829 – 194 years ago today – of the American composer and pianist Louis Moreau Gottschalk, in New Orleans. He died, all-too-young, on December 18, 1869 at the age of forty, in exile in Rio de Janeiro, Brazil. Events that occurred in September of 1865 in San Francisco, California and across the San Francisco Bay in Oakland led directly to Gottschalk’s “exile” to South America. Those frankly tawdry events, most unfairly, have been recounted way too often and as a result, they have come to obscure Gottschalk’s memory as a composer, pianist, patriot, and philanthropist. That’s because people like me continue to write about them as if they, somehow, encapsulated the totality of who and what Louis Moreau Gottschalk was. I hate myself for having participated in this unholy example of scandal mongering – I do – and I stand before you filled with shame and remorse. Nevertheless. Nevertheless, I fully intend to rehash these salacious events here and now with the understanding that following that rehash, we will spend the remainder of this post and all of tomorrow’s Dr. Bob Prescribes post doing penance, by providing a proper account of the cultural […]

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Music History Monday: The Enduring Miracle

On May 1, 1786 – on what was also a Monday, 237 years ago today – a miracle was heard for the first time: Wolfgang Mozart’s opera The Marriage of Figaro received its premiere at the Burgtheater in Vienna.   Some 100 years later, Johannes Brahms (1833-1897) wrote this about The Marriage of Figaro:  “Every number in Figaro is for me a marvel; I simply cannot fathom how anyone could create anything so perfect.  Such a thing has never been done, not even by Beethoven.” Herr Brahms, when you’re right, you’re right, and this case you are so right!  237 years after the premiere, Brahms’ awe of Mozart’s The Marriage of Figaro mirrors our own.  For many of us – myself included – it is, simply, the greatest opera ever composed.  Composing an Italian Language Opera for the Viennese On May 7th, 1783 – some three years before the premiere of The Marriage of Figaro – Mozart wrote the following in a letter to his father back in Salzburg: “The Italian opera buffa [here in Vienna] is very popular.  I have looked through more than a hundred libretti [meaning literally “little book,” the script of an opera] but I have […]

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