December 12 is a crazy day in American jazz and popular music history, a day that saw the births of five – count ‘em, five – significant musicians, three of whom have something very special in common. Let us first recognize the birthdays of the two jazz/pop musicians who do not share this special commonality. We start with a big, happy birthday to the jazz singer Joe Williams, who was born on December 12, 1918, 104 years ago today. Born Joseph Goreed, he came into this world in Cordele, Georgia, and left it on March 29, 1999, in Las Vegas at the age of 80. Big Joe had a gorgeous, warm baritone voice that was as smooth as a peeled onion. Long associated with Count Basie (1904-1984) and his big band, Williams sings one of his trademark songs – Alright, Okay, You Win – with the Basie Band in the link below, recorded circa 1970. Another big, happy birthday to the singer, drummer, and percussionist Sheila E. (“E” for Escovedo), who was born right here in Oakland, California, on December 12, 1957, 65 years ago today. Sheila Escovedo came by her musical bona fides honestly. Her father is the Latin […]
Continue Reading
Robert Greenberg
Historian, Composer, Pianist, Speaker, Author
Podcast – Page 9
Here We Go Again . . . It has come to pass. I have been writing these Music History Monday posts for long enough that Monday dates and events have begun to repeat. And as a result, December 5, which was a Monday in 2016, once again falls on a Monday today. Ordinarily there are enough events on any given Monday to keep me from having to deal with the same topic. But December 5 is a special date for one particularly terrible musical event, an event that demands to be revisited. Dates That Will Live in Infamy We consider: there are some dates that, for events that marked them, will live in infamy. I would suggest that what qualifies as an “infamous date” – that is, a date we will all remember to our dying day – is generally dependent upon when one was born. For example, for someone born in the United States in 1854 (that’s 100 years before I was born), those dates of infamy might include: March 6, 1857: the date of the Dred Scott decision, which saw the U.S. Supreme Court rule 7-2 that an enslaved human being (Dred Scott) who had resided in a […]
Continue ReadingWe mark the New York premiere on November 28, 1925 – 97 years ago today – of Aaron Copland’s Music for the Theater, at a League of Composer’s concert conducted by Serge Koussevitzky at New York’s Town Hall. The actual world premiere of the piece took place eight days before, when Koussevitzky conducted Music for the Theater in Boston. But Copland was a native New Yorker and Music from the Theater is about the New York theatrical and musical world. So – and for this you’ll have to excuse me, particularly the Bean Town babies among us – the so-called “Boston Premiere” was nothing but a warmup, a preview, a promo, an hors d’oeuvre akin to trying out a Broadway play in New Haven or Philadelphia before taking it to the house, to the big time, the Apple, to the city that never sleeps, to the burg so big they had to name it twice: New York, New York! Coming Clean We all have to make decisions, the vast majority of which are, gratefully, relatively insignificant. (I cannot imagine having to make decisions that would affect the health and welfare of entire communities. It’s difficult enough for me to figure […]
Continue ReadingWe mark the death on November 21, 1695 – 327 years ago today – of the English composer and organist Henry Purcell, in London. He lies buried today in a place of singular honor, adjacent to the organ on which he performed in Westminster Abbey in London. He had been born there in London on (or about) September 10, 1659, making him only 36 years old when he died. But like both Mozart and Schubert after him, Purcell’s terribly premature death did not preclude him from writing a tremendous amount of music of the very highest quality. Purcell’s music – sacred and secular – utterly defined his time, a time known in British history as the Restoration. Timing I know that the realtors among us will tell us that in the end, everything is all about location, location, and location. Well, sorry to disagree but, in fact, in the end, nothing is more important than timing, timing, and timing. Hey: I love the city of Paris; it is my favorite urban location. But a successful visit to that magnificent location is dependent on timing. Had I chosen to visit in August 1348, I would have arrived simultaneously with the Black […]
Continue ReadingWe mark the birth on November 14, 1805 – 217 years ago today – of the German composer, pianist, wife, mother, and hausfrau Fanny Mendelssohn-Hensel, in the Hanseatic city of Hamburg. She died on May 14, 1847, all-too-young at the age of 41, at her home in the Prussian capital of Berlin. Fanny Cäcille Mendelssohn was the first child (of an eventual four) of Lea and Abraham Mendelssohn. Lea Mendelssohn took one look at her infant daughter’s hands and famously exclaimed: “Look! She has Bach fugue hands.” And that she did. The next Mendelssohn child was born three years and three months later, Fanny’s baby brother – the “genius” – Felix Mendelssohn (1809-1847). “Genius” The word “genius” is so overused as to be almost useless. Nevertheless, it is necessary that we define it and then discuss an aspect its usage. Definition. Admittedly, while there is no precise, scientific way to measure and define genius, the following definition, by Walter Isaacson, will do. (Isaacson “knows” genius; his biographies of Albert Einstein, Benjamin Franklin, Steve Jobs, and Leonardo da Vinci are must reads.) “Genius is a characteristic of original and exceptional insight in the performance of some art or endeavor that surpasses […]
Continue ReadingWe mark the birth on November 7, 1926 – 96 years ago today – of the dramatic coloratura soprano Dame Joan Alston Sutherland, in Sydney, Australia. She died on October 10, 2010, in Montreux, Switzerland at the age of 83. I want you all to know upfront that Joan Sutherland was the first singer on whom I had a major crush, both because of her stupendous voice (hey: she wasn’t called “La Stupenda!” for nothing) and for reasons to be described below. In this post I will be using the occasion of Ms. Sutherland’s birth to not just talk about her extraordinary talent, but to wax nostalgic, for which I trust you’ll indulge me. While that nostalgia might dominate this post, be assured that tomorrow’s Dr. Bob Prescribes post will be dedicated entirely to Joan Sutherland’s artistry and recordings. Records and Record Players I’m going to talk about “sound reproducing equipment” for a bit. Please: though it might, momentarily, appear that I am geeking out here, I am – in fact – not. Because for people of a certain age, our records and the gear on which we played our records were for our younger selves (and perhaps […]
Continue ReadingBefore moving forward, the title of this post – “The Grandmother of All Drop Parties!” – demands an explanation-slash-definition. A “grandmother” is the mother of a parent, though in this usage, thank you, it is meant to indicate the ultimate example of what follows, as in “the grandmother of all drop parties.” I know you knew that. On to the important definition. A “drop party” or “release party” or “launch party” is a festive event sponsored by someone or some corporate entity to celebrate the release of a new product or service. In these here parts – meaning the San Francisco Bay Area – the most familiar sort of drop parties are those usually lavish affairs thrown by tech companies to launch new hardware or software (as opposed to underwear, overwear, everywhere, nowhere, or whatever-ware). Certainly, the pandemic put a major crimp on such parties, but I have little doubt they will be back, and that’s because they check off so many important boxes. They allow a company to celebrate itself and to entertain its employees and clients while also drawing in potential customers at the same time. They increase brand visibility and status, and presumably serve as venues […]
Continue ReadingBefore moving on to Carl Ruggles, the featured composer of today’s post, we would offer the warmest of happy birthdays to one of the most brilliant composers of the twentieth century, who also happened to be one of the nicest human beings I’ve ever met, George Crumb. He was born in Charleston, West Virginia on October 24, 1929 – 93 years ago today – and died at his home in the Philadelphia suburb of Media, Pennsylvania, on February 6, 2022, at the age of 92. I offered up an appreciation of Crumb in my Music History Monday post on the occasion of his 87th birthday on October 24, 2016. We will revisit Crumb in my Music History Monday and Dr. Bob Prescribes posts for March 13 and 14, 2023 (yes, I plan ahead!) when we tackle his Black Angels for electric string quartet. On to the featured event for today’s post. We mark the death on October 24, 1971 – 51 years ago today – of the American composer, teacher, and painter Charles Sprague (“Carl”) Ruggles, in Bennington Vermont. Born in Marion, Massachusetts on March 11, 1876, Ruggles was 95 years old at the time of his death. C-level People […]
Continue ReadingName the Composer/Pianist: he was a student of Wolfgang Mozart, Antonio Salieri, Muzio Clementi, and Joseph Haydn; friend to Franz Schubert and a friend (and rival!) of Ludwig van Beethoven; and teacher of – among many others – Carl Czerny, Ferdinand Hiller, Sigismond Thalberg, and Felix Mendelssohn; in his lifetime considered one of the greats and in ours almost entirely forgotten? With a title like that, the subject of this post better be good. And good he was! We mark the death on October 17, 1837 – 185 years ago today – of the composer and pianist Johann Nepomuk Hummel in the Thuringian city Weimar. Born in Pressburg (today Bratislava, the capital of Slovakia) on November 14, 1778, Hummel was 59 years old at the time of his death. A Preliminary: What’s in a Name? Listen, the last thing in the world I want to be accused of (okay, maybe not the last thing . . .) is name shaming: making fun of someone’s name. But let’s be serious: what sort of middle name is “Nepomuk”? And it’s not just Hummel: “Nepomuk”, a name that most certainly does not ring beatific for native English speakers, was a fairly common middle […]
Continue ReadingWe mark the birth on October 10, 1903 – 119 years ago today – of the Russian-American composer of concert music Vladimir Aleksandrovich Dukelsky. As a composer of popular music, and as a major contributor to the Great American Songbook, he is known as Vernon Duke. The Great American Songbook The Great American Songbook refers to neither a book nor a specific list of songs. Rather, the phrase encompasses the repertoire of American popular song, written between about 1915 and 1955 that are today collectively referred to as the “standards.” According to what should be the unimpeachable source, the “Great American Songbook Foundation”: The “Great American Songbook” is the canon of the most important and influential American popular songs and jazz standards from the early 20th century that have stood the test of time in their life and legacy. Often referred to as “American Standards”, the songs published during the Golden Age of this genre include those popular and enduring tunes from the 1920s to the 1950s that were created for Broadway Theater, musical theater, and Hollywood musical film.” Now, you didn’t have to be born in America to be a contributor to the Great American Songbook. In fact, some […]
Continue Reading