Yesterday’s Music History Monday post marked the 116th anniversary of the premiere of Giacomo Puccini’s opera Madama Butterfly. The body of that post dealt with the charges of sexism, racism, and cultural appropriation leveled today at the opera, charges that have led many contemporary arbiters to demand that changes be made to the opera or that it be eliminated from the repertoire altogether. As I rather forcefully observed in yesterday’s post, none of this changes the fact that Madama Butterfly is a masterwork of musical theater and deserves its place among the top tier of the operatic repertoire. Unlike most other of Puccini’s operas, Madama Butterfly had something of a rough start; that story in a moment. Giacomo Antonio Domenico Michele Secondo Maria Puccini was born in the Tuscan city of Lucca on December 22, 1858. He was born into a virtual dynasty of local musicians; members of Puccini family occupied the position of maestro di cappella (“master of music”) of the Cathedral of San Martino in Lucca for 124 consecutive years, from 1740 until 1864 (when Puccini’s father Michele, the current maestro di cappella, died prematurely at the age of 50). Giacomo was groomed to enter the family profession and in the […]
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