Robert Greenberg

Historian, Composer, Pianist, Speaker, Author

Archive for American Composers

Dr. Bob Prescribes: Paul Creston

When I and my compositional colleagues were ignorant graduate students (yes, ignorant and arrogant: I thought I was so freakin’ smart in my mid-twenties, only to realize, as real life unfolded, how colossally naïve I really was), when we were ignorant graduate students, among the nastiest things me or my colleagues could say about a piece of music was that “it sounded like movie music.” Putting aside for a moment the fact that there’s some really fine movie music out there, this statement was meant to address music of melodramatic expressive content characterized by super-extreme degrees of contrast and seemingly pedestrian thematic content. Music about which one could blithely say “oh, that sounds like a chase scene”; or “that sounds like lonely, dark streets noire music”; or “that sounds like a fight scene” or a “love scene”, or a “knifing in the shower scene”, etc.: music of seemingly obvious, usually over-the-top expressive content.  I’ve grown up, and speaking generally and entirely for myself, I no longer consider movie music to be intrinsically inferior to stand-alone, self-contained concert music. It’s just different, because it serves a different purpose than concert music. The overweening importance in movie music is to create a […]

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Dr. Bob Prescribes Henry Cowell

Henry Cowell was an American iconoclast: a maverick composer who created his own most original musical language in response to a particular, uniquely “American” experience. A list of such radical American composers begins with Cowell’s personal hero and role model, Charles Ives and continues with Cowell’s own students John Cage and Lou Harrison; such a list would include such compositional renegades as Roy Harris, Harry Partch, Terry Riley, Pauline Oliveros, and Morton Subotnik. The list goes on; I shall not. With the exception of Charlie Ives, what all of these composers have in common is that they are either natives of California (Cowell, Cage, Partch, Riley, Subotnik) or spent a formative period of their musical lives in California (Harrison, Harris, and Oliveros).  Henry Cowell (1897-1965) Cowell was born on March 11, 1897 in Menlo Park, California: as the bird flies about 25 miles south of San Francisco. His Irish immigrant father and Iowa-born mother were both writers, and authentic proto-hippies in their attitudes towards life and childrearing.  Cowell began playing the violin at age 5, began composing at 10, and bought himself his first piano when he was 13. According to the composer and Cowell biographer Bruce Saylor, writing in […]

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