Giuseppe Verdi (1813–1901) is still the most popular composer in the 400-year-old history of opera. His operas are produced more than any other composer's, and one (admittedly unverifiable) source claims that his La traviata (1853) has been staged live somewhere around the world every evening for the past 100 years.
The Details
In this 32-lecture series, Professor Robert Greenberg explores both famous and not-so-famous Verdi operas, his Requiem Mass of 1874 – his one great concert work; his early songs; and his very last composition, the Stabat Mater.
Trace his development from a more or less conventional composer of operas in the traditional Italian bel canto (“beautifully sung”) style to a creator of truly innovative musical dramas in which the power of music to intensify and explore human emotion is exploited to the fullest degree.
“Verdi was a great dramatist and a great melodist at the same time, whose artistic evolution never ceased across the 50-year span of his career.”
The course structure is chronological, allowing you to follow easily the developing patterns in Verdi’s work. Combining biography with a variety of musical excerpts, Professor Greenberg presents a memorable mixture of “sights to see and things to think about along the way.”
The Life and Operas of Verdi Lectures
- La Bell’Italia
- Beginnings
- Orberto
- Nabucco
- Nabucco, Conclusion, and Risorgimento
- I Lombardi
- I Lombardi, Conclusion, and Ernani
- Macbeth
- I masnadieri
- Luisa Miller and Rigoletto
- Rigoletto, Act I continued
- Rigoletto, Acts I, II, and III
- Rigoletto, Act III continued
- Rigoletto, Conclusion and Il trovatore
- Il trovatore, Conclusion, and La traviata
- Un ballo in maschera
- Un ballo in maschera, Conclusion
- La forza del destino
- Don Carlo
- Don Carlo, Conclusion
- Aida
- Aida, Conclusion
- The Requiem
- The Requiem, Conclusion
- Otello
- Otello, Conclusion; Falstaff
- Falstaff, Act I, Sc. 1
- Falstaff, Act I, Sc. 1, Conclusion; Sc. 2
- Falstaff, Act I, Sc. 2, Conclusion; Act II, Sc. 1
- Falstaff, Act II, Sc. 1 Conclusion; Sc. 2
- Falstaff, Act II, Sc. 2 continued
- Falstaff, Act II, Conclusion; Act III