We mark today the 258th anniversary of the marriage of Joseph Haydn to Maria Anna Aloysia Apollonia Keller in St. Stephen’s Cathedral in the great city of Vienna. The groom was 28 years old and his blushing bride 31. We contemplate the institution of marriage. Marriage is like swinging a golf club: it looks so easy on TV. But when we actually pick up a golf club and/or get married, we learn soon enough how very, very, very challenging marital reality can be. I know of what I speak. I am in my fourth marriage, though I’d hasten to point out that that’s not because I’m a disagreeable monster (although my first wife, from whom I am divorced, might beg to disagree), but because I’ve lost two wives to cancer. When I married for the fourth and final time to Dr. Nanci Tucker – a real doctor, one who can write a prescription – my old friend and colleague Dr. Frank LaRocca – not a real doctor; he cannot write a prescription – said to me “you win”. You see, Frank has been married three times, and with my fourth marriage he figured that the person with the greatest number […]
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Robert Greenberg
Historian, Composer, Pianist, Speaker, Author
Podcast – Page 30
November 19 is a sad day for us all. On November 19, 1828 – 190 years ago today – Franz Schubert died in Vienna at his brother Ferdinand’s third floor flat at Kettenbrückengasse 6 (in Schubert’s day, the address was Firmiansgasse 694). The building looks almost exactly the same today as it did when Schubert died there; the red and white flags in front of the building today surround a tablet that reads “Schubert Gedenktafel”: “Schubert Memorial Plaque.” On the facing directly below the bust at Schubert’s original grave in Vienna’s Währing Cemetery (what is now called “Schubert Park”) is an inscription written by the Viennese dramatist Franz Grillparzer: “The art of music here interred a rich possession/But still far fairer hopes.” Ain’t that the truth. In the last sixteen years of his brief life, this composer of really unparalleled lyric gifts composed, among other works: 8 finished and “unfinished” symphonies (not 9, which is the number typically bandied about); 10 orchestral overtures; 22 piano sonatas; 6 masses; 17 operas; over 1000 works for solo piano and piano four-hands; around 145 choral works; 45 chamber works, including some drop dead string quartets, and 637 songs. But in fact, the 31 […]
Continue ReadingOn November 12, 1945 – 73 years ago today – the singer, songwriter, guitarist, pianist, producer, director, screenwriter, humanitarian, entrepreneur, inventor and environmentalist Neil Percival Young was born in Toronto, Ontario, Canada. Upfront: I would tell you that Maestro Neil Young has been part of my life since my coming of age (which I count to 1966, when I was 12 years old). His songs, his voice, his guitar work and the bands in which he has played helped to define my teenage years and as such, my lasting musical sensibilities. His work with Buffalo Springfield (1966-1968); Crazy Horse (1968-1969); Crosby, Stills, Nash and Young (1969-1970); and his acoustic work in the early seventies remains – for me – some of the best folk rock and rock ‘n’ roll ever played and recorded. (Just for the heck of it, I’d point out that Young entered and then worked in the United States illegally, and only received his Green Card in 1970, making him one of the countless “illegal aliens” who have gone on to enrich the American cultural gene-pool. Just sayin’.) (Another parenthetical observation. On October 31, 2018 – 12 days ago – Young admitted to having married the 57 […]
Continue ReadingWe mark the death of the American Composer Elliott Carter, who died six years ago today – on November 5, 2012 – one month shy of his 104th birthday. When Elliott Carter was born on December 11, 1908, Theodore Roosevelt was President; an Indian’s head was on the obverse of a United States penny; Gustav Mahler was the conductor of the New York Philharmonic; and the United States was just beginning its run as a dominant nation on the world’s stage. If the twentieth century was “America’s century”, it was “Elliott Carter’s” century as well: there’s hardly an artistic, cultural, or political event that Carter did not actively observe from the early 1920s through almost yesterday. His musical interests and compositions trace a direct line through some of the most important musical trends of the twentieth century: the experimental, expressionist music of the 1920s; the musical populism of the thirties and early forties; the modernist impulse of the fifties and beyond. Throughout his compositional career, Elliott Carter has proven himself to be a quintessentially American composer. Not in an Aaron Copland, “folkloric” sense, but more profoundly. Carter’s mature vision of America mirrors, according to his biographer David Schiff: “the energy, […]
Continue ReadingParty hats and noisemakers at the ready, today we celebrate the birth of Ferencz (that’s Hungarian; Franz in German) Liszt. (Woohoo! Let’s make some noise!) He was born on October 22, 1811 – 207 years ago today – in the market town of Doborján in the Kingdom of Hungary. (Today the town is known as Raiding and it is located in Austria.) Here’s something we read/hear with tiresome frequency: “Like, yah, Mozart was the first ROCK STAR!” No, he wasn’t. He was an intense, brilliantly schooled composer whose music was increasingly perceived by his Viennese audience as being too long and complex. Okay; how about: “Beethoven was the first ROCK STAR!” Oh please. One more try. “Liszt was the first ROCK STAR!” That he was. (Or perhaps the second, if we choose to consider Liszt’s inspiration, the violinist Niccolò Paganini to be the first true “rock star.”) But: Paganini or no, in terms of Liszt’s looks and his fame, the tens-of-thousands of miles he travelled on tour and the thousands of concerts he gave; in terms of the utterly whacked-out degree of adulation he received, the crazed atmosphere of his concerts, and the number of ladies (and perhaps men as […]
Continue ReadingToday we mark the death of the songwriter and bon vivant par excellence Cole Albert Porter. He was born on June 9, 1891, and died at the age of 73 on October 15, 1964: 54 years ago today. We begin with what is, I think, is a great story. In September of 1939, Igor Stravinsky travelled from his home in Paris to Cambridge Massachusetts, there to be the Norton professor at Harvard for the school year. By the time his residency ended in June of 1940, France was being overrun by the Nazis. Stravinsky and his wife Vera had a choice to make: go back to Europe and take their chances or stay in the United States where the Hollywood studios were begging Stravinsky to head west. Not a tough choice. Stravinsky instantly became a Hollywood celebrity and his music a sought-after commodity. Disney used The Rite of Spring for the dinosaur sequence in Fantasia. Barnum and Bailey’s circus commissioned Stravinsky to write a work for its dancing elephants. The producer-huckster Billy Rose commissioned a work called Scènes de ballet. After the premiere of Scènes de ballet, Rose telegraphed Stravinsky: “YOUR MUSIC GREAT SUCCESS STOP COULD BE SENSATIONAL SUCCESS IF […]
Continue ReadingOn October 8, 1897 – 121 years ago today – Emperor Franz Joseph I of the Dual Monarchy of Austria and Hungary officially named Gustav Mahler Director of the Vienna Court Opera. For the 37 year-old Mahler, it was the culminating moment in what had been (and sadly, what would continue to be) a very difficult life. He was born on July 7, 1860 in the village of Kalischt, in central Bohemia, in what was then part of the Austro-Hungarian Empire and is today part of the Czech Republic. Mahler’s was a lower middle class Jewish family; they spoke German and were thus a double-minority among their predominately Catholic, Czech-speaking neighbors. Mahler grew up abnormally sensitive and morbidly imaginative; a constant witness to his father’s brutality and his mother’s helplessness. According to Henry Raynor: “All the Mahler children were incapable of facing reality and suffered from a sense of inevitable tragedy.” Young Gustav’s sense of morbid tragedy was also a function of the disastrous mortality rate of his siblings. Of the fourteen Mahler children, seven died in infancy and only four (including Gustav) lived into full adulthood. Mahler’s musical talent was prodigious. He attended the Vienna Conservatory from 1876 to […]
Continue ReadingLet us contemplate the word “colonel.” No, we’re not talking about a discreet unit of corn, “k-e-r-n-a-l”; rather, we’re talking about the military rank and honorific of “colonel”: “c-o-l-o-n-e-l.” The word itself is of Italian origin; its root is the word colonna, which means “column”; in this case, as in a “column of soldiers”. By the sixteenth century, the word “colonello” was employed as a high military rank – someone who commanded a “column of soldiers” – in the various armies of the Italian city-states. Just as the French adapted Italian cuisine to create their own (that was thanks to the Florentine Princess Caterina Maria Romola di Lorenzo de’ Medici, who as Queen of France from 1547 until 1559 and Queen Mother from 1559 to 1589 brought her cooks and the fork to France, giving birth to French cuisine); yes, just as the French made Italian cuisine their own, so they borrowed the Italian word “colonello” and made it their own, spelling (and pronouncing) it “coronel” – “c-o-r-o-n-e-l”. By the seventeenth century, the English military had adopted the word as well, employing the French pronunciation – coronel – but the Italian spelling: colonel. The rank of colonel in the United […]
Continue ReadingToday we mark a technological event that came and went with hardly a murmur. It was 87 years ago today – on September 17, 1931 – that the RCA Victor Company demonstrated the first long-playing (or “LP”) record to rotate at 33-1/3 rpm (or “rounds per minute”). The demonstration took place at the Savoy Plaza Hotel in New York City. (Because we need to know: the 33-story Savoy Plaza was located at 767 Fifth Avenue. It overlooked Central park at Fifth Avenue and East 59th Street. Built at a cost of 30 million dollars, it opened in 1927 and met the wrecking ball in 1965.) The tony location of the demonstration aside, listeners were generally unimpressed. The first 33-1/3 rpm records offered no significant sonic improvement over the 78 rpm records that were standard at the time, and despite the fact that more music could be packed onto a disc spinning at 33-1/3 rpm, the new technology eventually fizzled. It wasn’t until 1948, when Columbia/CBS introduced a vastly improved 33-1/3 rpm LP that the new technology took off. (For our information: Columbia/CBS unveiled their new record technology at New York’s Waldorf Astoria on June 18, 1948. Take THAT, Savoy Plaza!) […]
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