We mark the death on July 15, 1857 – 162 years ago today – of the Austrian composer, pianist and teacher Carl Czerny. What would we do without him? Indeed. Excepting Ferdinand Ries (who was, like Czerny, a student of Beethoven’s), no one has left us more numerous and more accurate first-hand accounts of Beethoven than Czerny. He was a great pianist and perhaps the greatest pianist who never played in public. (I would qualify that statement, because as a young man Czerny did indeed play in public a handful of times; for example, Beethoven entrusted the 21-year-old Czerny with the first public performance in Vienna of his Piano Concerto No. 5 in E-flat major, the “Emperor”, on February 12, 1812. But in fact, Czerny hated the pressure of performing in public, hated travelling, and felt that “my playing lacked the type of brilliant, calculated charlantry that is usually part of a travelling virtuoso’s essential equipment.” So he stayed home in Vienna, where he performed in private, composed, and taught.) He was, very likely, the single most important piano teacher of the nineteenth century. According to the New Grove Dictionary of Music and Musicians he was “a central figure in […]
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