Robert Greenberg

Historian, Composer, Pianist, Speaker, Author

Archive for San Francisco Performances – Page 3

Music History Monday: 710 Ashbury Street, San Francisco, California

Before we get to the central topic of today’s post – that being a particular address in San Francisco – we would wish a most happy birthday to someone we only know by his nickname.  Please: no looking ahead and peeking! Today we wish a happy 71st birthday to the English singer, songwriter, bassist, and actor Gordon Matthew Thomas Sumner, CBE (“Commander of the Order of the British Empire”).  He was born at Sir G. B. Hunter Memorial Hospital in Wallsend, Northumberland, England.   He grew up near the shipyards there in Wallsend, which itself is located just outside of Newcastle-upon-Tyne on the east coast of northern England.  The eldest of four kids, his mother Audrey was a hairdresser and his father Ernest a milkman. Our birthday boy took up the guitar as a child, but as music didn’t pay the rent, he worked as a bus conductor, a construction worker, a tax officer and, after having attended the Northern County College of Education (today known as Northumbrian University) from 1971 to 1974, he received a teaching credential.  He went on to teach for two years at St. Paul’s School in Cramlington, some 9 miles north of Newcastle-upon-Tyne.   His […]

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Music History Monday: Jimi Hendrix and the 27 Club

We mark the death on September 18, 1970 – 53 years ago today – of the American guitarist, singer, and songwriter James Marshall “Jimi” Hendrix, at St. Mary Abbots Hospital in London. He was born in Seattle, Washington on November 27, 1942, making him 27 years old at the time of his death, something we will discuss later in this post. Creating and Mastering a New Idiom “Top ten” lists are entirely subjective and thus often irrelevant. But they can be informative when they agree and as such, indicate a consensus. Here are a few such lists of rock ‘n’ roll guitarists, in which I’ve cut to the chase and listed only the “top four.” Rolling Stone, “100 Greatest [Rock] Guitarists”: Writing in Rolling Stone, the American guitarist, singer, songwriter, and political activist Tom Morello explains: “Jimi Hendrix exploded our idea of what rock music could [italics mine] be. His playing was effortless. There’s not one minute of his recorded career that feels like he’s working hard at it – it feels like it’s all flowing through him. He seamlessly weaves chords and single note runs together and uses chord voicings that don’t appear in any music book. His riffs […]

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Music History Monday: They Did Not Go Gently…

9-11; a somber day for us all.  A day for reflection, contemplation and perhaps, still, after 22 years, a day to grieve.   Far more often than not, Music History Monday is about celebrating the life and accomplishments of a musician or identifying and exploring some great (or small) event in music history.   If I chose to, today’s post could celebrate the lives and music of two wonderful composers.  On September 11, 1733 – 290 years ago today – the French composer and harpsichordist François Couperin (1668-1733) died in Paris, at the age of 65.  The Estonian-born composer Arvo Pärt was born 88 years ago today, on September 11, 1935.  If we chose to explore an event rather than celebrate the lives and music of François Couperin or Arvo Pärt, this post could mark the 173rd anniversary of the first American concert of “The Swedish Nightingale” – Ms. Jenny Lind (1820-1887) – at the Castle Garden Theater in New York City, in a performance promoted by none-other-than P. T. Barnum.  (For our information: Johanna Maria “Jenny” Lind was one of the most highly regarded operatic sopranos of her time.  After a sensational European career, she retired from the opera […]

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Music History Monday: On the Spectrum

We mark the birth on September 4, 1824 – 199 years ago today – of the composer and organist Josef Anton Bruckner, in the Austrian village of Ansfelden, which today is a suburb of the city of Linz.  He died in the Austrian capital of Vienna on October 11, 1896, at the age of 72. It was Gustav Mahler (1860-1911) who famously said that Bruckner was: “Half simpleton, half God.” Strangeness I would be so bold as to suggest that there is such a thing as a “strangeness spectrum,” a scale of personality oddness that stretches from the merely quirky to the genuinely weird.  If we were to consider such a spectrum as a scale from one to ten, with one being “quirky” (or idiosyncratic); five being “eccentric” (or odd); and ten being really “weird” (or bizarre), then the personality of the composer and organist Anton Bruckner would lie at about an eleven: an off-the-charts “downright whacky” (and even, at times, unnervingly creepy). I know, I know: many of you are probably thinking something on the lines of “so what? He was a professional composer.  Show me a major composer besides, perhaps, Joseph Haydn and Antonin Dvořák who wasn’t a […]

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Music History Monday: Where is the “Sin” in “Synthesizer?: Robert Moog and “Synthetic” Sound

We mark the death on August 21, 2005 – 18 years ago today – of the American engineer and electronic music pioneer Robert Moog.  Born in New York City on May 23, 1934, he died of a brain tumor in Asheville, North Carolina, at the age of 71. First things first: let us pronounce this fine man’s surname properly.  It is not pronounced as “moo-g.”  “Moo-g” is a sound made by a cow after she painfully stubs her hoof.  Despite its double-o, the name is pronounced “mogue,” as in “vogue.” Moog didn’t invent the sound synthesizer.  Rather, he (and his inventing “partners,” the composer Herbert Arnold “Herb” Deutsch, 1932-2022 and, to a somewhat lesser degree, Wendy Carlos, born 1939) democratized the thing, making it affordable, portable, and playable enough to be bought and used by anyone who could get around a piano-like keyboard. Our Game Plan Today’s Music History Monday and tomorrow’s Dr. Bob Prescribes posts are conceived as a single post, one that I’ve divided in half and will post on two successive days.  As my Patreon subscribers know, I’ve done this before; it’s no big deal and I will certainly do it again.  However, for those of you […]

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Music History Monday: Worst. Timing. Ever

On August 14, 1962 – 61 years ago today – the manager of the Beatles Brian Epstein made a phone call to the drummer Ringo Starr, inviting him to join the band.  As I suspect we are all aware, Starr said “yes.”   Two days later, on August 16, Epstein had the unenviable task of firing the band’s present drummer, Randolph Peter “Pete” Best (born Randolph Peter Scanland, 1941), who had been the Beatles’ drummer for almost exactly two years, since August 1960.  Best’s firing, effective on August 18, 1962, was, for Best, the worst timing ever.  17 days later, on September 4, 1962, a reconfigured Beatles with Ringo Starr as drummer recorded their first #1 hit and went from nobodies to superstars in the span of a few weeks. Pete Best (Born 1941) Peter Best was born on November 24, 1941, in Madras, which was then part of British India.  His father, a marine engineer named Donald Peter Scanland, died during World War Two.  Pete’s mother Mona went on to marry a British officer from Liverpool named Johnny Best, with whom she had a second son, this one named Rory.  In 1945, the Best family returned to Britain on […]

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Music History Monday: All Hail The King!

We mark an online auction that concluded on August 7, 2008 – 15 years ago today – at which Elvis Presley’s white, sweat-stained, high-collared, plunging V-necked jumpsuit, decorated with a dazzling, hand-embroidered blue and gold peacock – sold for $300,000.  (Because I know you want to know, the jumpsuit is cinched at the waist by a wide belt decorated in gold medallions in a design meant to resemble the eye of a peacock feather, all of it an ongoing reflection of Elvis’ fascination with peacocks as being his personal good luck symbol.) The outfit cost Elvis a cool $10,000.  It was designed by the Los Angeles couturier Bill Belew (1931-2008), who designed all of The King’s stage wardrobe between 1968 and 1977. Talk about provenance (something we’ll define and discuss in just a bit)!  Aside from Elvis’ personal sweat stains (do they still . . . give off an odor?), he performed wearing the jumpsuit for the better part of a year.  Elvis first wore the “peacock” at a concert at the Forum in Los Angeles on May 11, 1974.  He then performed wearing it in Las Vegas and wore it as well on the cover of his album “Promised […]

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Music History Monday: Ernest Bloch

We mark the birth on July 24, 1880 – 143 years ago today – of the Swiss-born American composer and educator Ernest Bloch, who was born in Geneva, Switzerland.  He died in Portland, Oregon, on July 15, 1959, at the age of 78. Establishing a Genealogy People trace their family trees for all sorts of reasons: to establish family connections, to collect family medical information, to meet other people engaged in such research, and so forth.  But at the root (pun intended) of these (and other) reasons to establish a family tree is the issue of self-identity: the desire to connect with oneself by connecting with one’s ancestors: learning what we can of who they were; where they came from; what sort of lives they led; and what they accomplished. With the advent of genetic testing sites like “23 and Me,” “AncestryDNA,” “LivingDNA,” and “HomeDNA,” the whole family tree trip has taken a crazy-giant step forward, in that our family trees have gone from saplings to 400-year-old oaks. A couple of years ago, bored to death during the pandemic and unable to resist any longer, my wife and I were so tested using the site “23 and Me.”  Here are […]

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Music History Monday: Elaine Stritch: An Appreciation

We mark the death on July 17, 2014 – 9 years ago today – of the Broadway and television actress Elaine Stritch, in Birmingham, Michigan, at the age of 89.  I personally have a soft spot in my heart for Ms. Stritch the size of Manitoba. She was your quintessential brassy, tart-tongued (a euphemism for foul mouthed), cigarette smoking, alcohol-soaked blonde who took nothing from no one and could sell a song like nobody’s business.  (Please note that I didn’t say “sing a song” but rather, “sell a song.” Her ability to do so will be discussed in tomorrow’s Dr. Bob Prescribes post.) It is my great hope that by the time you finish this Music History Monday and tomorrow’s Dr. Bob Prescribes posts, you will have come to love her almost as much as I do. My decision to profile Elaine Stritch is, in my estimation, a great sign of respect, given the other musical events of the day.  Both the tenor saxophonist John Coltrane and the singer Billie Holiday died on this date, in 1967 and 1959, respectively.  (Be assured that both of these luminaries – Coltrane and Holiday – will receive their due on these pages sooner […]

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Music History Monday: When You Dance with the Devil

We mark the birth on July 10, 1895 – 128 years ago today – of the German composer and educator Carl Heinrich Maria Orff.  Born in Munich, he died in that city on March 29, 1982, at the age of 86. The Good News Orff lived a long and productive life.  He was a composer of considerable talent whose works draw on influences as diverse as ancient Greek tragedy and medieval chant, Baroque theater, and Bavarian peasant life.  His so-called “scenic cantata”, Carmina Burana (of 1936), remains an audience favorite today.  Along with the German educator Gunild Keetman, Orff developed a musical education method in the 1920s called the Orff Schulwerk, or the “Orff Approach,” a methodology that integrates music, movement, speech, and drama in a manner based on what children do instinctively, and that is play.  Today, the Orff Approach is employed around the world and is one of the four major developmental music educational methodologies. The other three are the Kodály Method (created by the Hungarian composer and educator Zoltán Kodály, 1882-1967); the Suzuki Method (created by the Japanese violinist and educator Shinichi Suzuki, 1898-1998), and Dalcroze Eurhythmics (created by the Swiss composer and educator Emile Jaques-Dalcroze, 1865-1950). […]

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