Antonin Dvořák arrived in the United States (with most of his family in tow) on September 27, 1893. He had been offered and had accepted the Directorship of the National Conservatory of Music of America by the conservatory’s visionary founder, Jeanette Meyers Thurber. On his arrival, Dvořák hit the ground running. Along with his directorship, his teaching and conducting responsibilities, he was composing: he put the finishing touches on his Symphony No. 9 in E minor, also-known-as the “New World Symphony” on May 24, 1893, just eight months after having arrived in New York. Lest we think that Dvořák’s life was all work and no play, we’d observe that he was treated like royalty in New York: partied, feted, honored, and applauded wherever he went. (He also drank everyone under the table wherever he went, but that’s another story for another time.) For all his homesickness, fear of strangers, and hypochondria, it must have been exhilarating for this former butcher’s apprentice. But it was elementally exhausting as well, and by the time he finished his E minor symphony in late May 1893, Dvořák was utterly fried. Summer break was approaching, and decisions needed to be made as to where and […]