![HAPPY 243RD BIRTHDAY LUDWIG VAN BEETHOVEN! | Beethoven with Cake](https://d3fr1q02b1tb0i.cloudfront.net/wp-content/uploads/2013/12/05085917/beethoven-funny-276x300.jpg)
I trust we are all preparing for it: that we’re stockpiling party hats, noisemakers, birthday candles and those blowy-things consisting of a mouthpiece and a flattened, coiled paper tube that extends obscenely when blown into, something variously called a “party horn”, “party blower”, “party pipe”, or a “blow tickler.” We’ll want to have this stuff in hand in quantity because we have a year-long birthday celebration coming up, as the year 2020 will mark Ludwig/Louis/Luigi van Beethoven’s 250th (or Semiquincentennial, meaning literally “half-of-500”) birthday.
Roughly once-every-other-month through the end of 2020 – starting today – I’m going to offer up posts on some of Beethoven’s more obscure works and recordings of those works that we should all own. We begin with Beethoven’s Mass in C of 1807, which is much less well known and less frequently performed than his “Solemn Mass”, the Missa Solemnis, of 1823.
Beethoven’s Mass in C was first performed on September 13, 1807, in Eisenstadt, Austria, by the musical establishment of Prince Nikolaus Esterházy II. It did not go well.
![Prince Nikolaus Esterházy II](https://d3fr1q02b1tb0i.cloudfront.net/wp-content/uploads/2019/07/22134337/Frst-Nikolaus-II.jpg)
The mass had been commissioned by Prince Nikolaus Esterházy II (1765-1833), an excessively-wealthy Hungarian Prince. Today, we rightly consider the Mass to be the masterwork that it is (although admittedly an under-appreciated and under-performed masterwork). Unfortunately, Prince Esterházy, having coughed up the ducats for its creation, would not have agreed with the “masterwork” thing. In a letter to the written to the Countess Henriette von Zielinska soon after the premiere, the Prince vented some major spleen over Beethoven and his stinkin’ mass:
“Beethoven’s mass is unbearably ridiculous and detestable, and I am not convinced that it can ever be performed properly. I am angry and mortified.”
The premiere of the Mass in C Major has been referred to as being “Beethoven’s most humiliating public failure.” The story behind Prince Esterházy’s critical bird and Beethoven’s humiliation is a fascinating one, and it’s a story that centers of Beethoven’s former “teacher”, the great Joseph Haydn (1732-1809).… Continue reading, only on Patreon!