Robert Greenberg

Historian, Composer, Pianist, Speaker, Author

Podcast – Page 3

Music History Monday: The Great-Grandmother of All Concert Tours: Elton John’s “Farewell Yellow Brick Road: The Final Tour”

We mark the conclusion on November 20, 2022 – one year ago today – of the North American leg of Elton John’s “Farewell Yellow Brick Road: The Final Tour.”  The concert took place at Dodgers Stadium in Los Angeles; it was the third of three “farewell” concerts held at Dodgers Stadium. The three concerts (on November 17, 19, and 20) saw a total attendance of 142,970 people and grossed $23,462,993. Since the first rock ‘n’ roll concert , which was held in Cleveland on March 21, 1952 (that would be the “Moondog Coronation Ball”), there have been rock ‘n’ roll concert tours and there have been rock ‘n’ roll farewell concert tours.  But Elton John’s “Farewell Yellow Brick Road: The Final Tour” was in a league of its own and will likely never, ever be matched.  The numbers are mind-boggling and bladder-weakening.  The tour, interrupted, as it was, by the COVID epidemic, ran for nearly five years, from September 8, 2018, to July 8, 2023.  It began in Allentown, Pennsylvania and concluded in Stockholm, Sweden. It consisted of nine separate legs (or “tours within the tour”) and a total of 330 shows.  All together, the tour was attended by 6.1 […]

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Music History Monday: Gioachino Rossini and the Comedic Mind

We mark the death on November 13, 1868 – 155 years ago today – of the opera composer Gioachino Antonio Rossini, in Paris, at the age of 76. He was one of the most famous and beloved artists of his time, and he remains no less so today. It is my humble opinion that anyone who does not like Rossini’s operas – and, believe it or not, I have met any number of such people in the “rarified” confines of academia – well, such a person is a crank and a humbug, someone averse to melodic brilliance, theatric sparkle, and wit. 10,000 Hours? In his book Outliers: The Story of Success (Little, Brown and Company, 2008), the English-born Canadian journalist (and staff writer at The New Yorker) Malcolm Gladwell posited his “10,000-hour rule.” Gladwell’s 10,000-hour rule asserts that: “the key to achieving true expertise in any skill is simply a matter of practicing, albeit in the correct way, for at least 10,000 hours.” Of course this is complete nonsense. We must conclude that Mr. Gladwell has practiced making absurd statements for well over 10,000 hours, so completely daft is his “rule.” Listen: when I was twenty, I was 5’7” in […]

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Music History Monday: The March King

We mark the birth on November 6, 1854 – 169 years ago today – of the American composer, conductor, and violinist John Philip Sousa.  Born in Washington, D.C., Sousa died in Reading, Pennsylvania on March 6, 1932, at the age of 77. Timing, Location, Life Experience, and Talent We are told that talent – be it athletic, musical, artistic, culinary, whatever – will only take us so far; that without commitment, hard work, and perseverance “talent” is, in the end, nothing but potential.  But success in any field in which innate, gene-given talent is an underlying necessity requires something more than just blood, sweat, and tears: it also requires timing, location, and life experience. We consider.  How many potential William Shakespeares have been born in times and places in which vernacular, secular theater was not being cultivated to a revolutionary degree?  How many latent Sebastian Bachs lived until one was born into the perfect family and at the perfect time and place to exploit his skill set? How many possible LeBron Jameses existed before the invention of basketball?  I would suggest that what made Mozart “Mozart” was not just his talent and work ethic, but that his father was a […]

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Music History Monday: Franz Schubert: An Unfinished Symphony; An Unfinished Life

We mark October 30, 1822 – 201 years ago today – as being the day on which Franz Schubert began what is now known as his Symphony No. 8 in B minor, the “Unfinished Symphony.”  Lost just months after Schubert completed the two movements that make up the “Unfinished,” the symphony was heard for the first time in 1865, 43 years after its composition and 37 years after Schubert’s death.   A Fable Agreed Upon One of the many clever statements (or in this case, a question) credited to Napoleon Bonaparte is: “What is history but a fable agreed upon?” A good question for a despot who was intent on creating his own version of history. However, it is a question that applies as well to our contemporary view of Ludwig van Beethoven, and how we have come to believe his music was perceived in his own time.  Today, Beethoven’s mature symphonies (nos. 3 through 9) are rightly perceived as representing his own, personal struggles and revolutionary times.  Our mistake – the “fable agreed upon” – occurs when we assume that Beethoven’s contemporaries believed the same thing about his mature symphonies.   They did not.   For Beethoven’s symphonic contemporaries, […]

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Music History Monday: Al Jolson and the Painful Legacy of Blackface

We mark the death on October 23, 1950 – 73 years ago today – of the Lithuanian-American singer and actor Al Jolson. Born “Asa Yoelson” on May 26, 1886, in the village of Srednik, in what was then the Russian Empire and what is today Lithuania, he died of a massive heart attack in his suite at the St. Francis Hotel in San Francisco at the age of 64. He was playing cards with friends when he collapsed; his last words were “Oh … oh, I’m going.” Singing ran deep in the Yoelson clan; his father Moses Yoelson was a cantor. The family immigrated to the United States in 1894 when young Asa was eight years old. Jolson grew up in southwest Washington, D.C., where he began his “career” singing on street corners. From there, it was onto burlesque shows and performing on the vaudeville circuit. In those days, entertainment, local retail, and professional sports were among the few American “industries” open to immigrant Jews. If this sounds painfully familiar to Black Americans, well, so it should. Equally painful is that by 1905, the 19-year-old Jolson began appearing in “blackface”: a holdover from the minstrel shows of the nineteenth century. […]

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Music History Monday: Mathilde Made Him Do It!

A few, necessary words before moving on to today’s post. Our hearts bleed for the events currently playing out in Israel and Gaza. Frankly, there are no words. Today is also the 14th anniversary of my wife Diane’s death; she died at the age of 35 on October 16, 2009. Again, there are no words. Our grief notwithstanding, we soldier on – as we must – doing what we can to make our individual “worlds” a better place. For me, here on Patreon, that means publishing my blogs and podcasts, and thus – hopefully – allowing us to observe the best of the human spirit through our music. That’s my gig, inadequate though it feels on days like today. We mark the premiere on Wednesday, October 16, 1912 – 111 years ago today – of Arnold Schoenberg’s dazzling, controversial, and in all ways extraordinary work Pierrot Lunaire, at Berlin’s Choralion–saal. The premiere was preceded by a mind-blowing forty rehearsals! (For our information: chamber music premieres typically receive 3 to 5 rehearsals, max. It’s never enough, but that’s just how it is. Forty rehearsals for Pierrot Lunaire? Unheard of!) Happy Coincidences! As those of you who follow me on Patreon are […]

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Music History Monday: The Parrot

We mark the birth on October 9, 1835 – 188 years ago today – of Charles-Camille Saint-Saëns, in Paris.  He died in that magnificent city on Beethoven’s 151st birthday – on December 16, 1921 – at the age of 86. The Nose Physically, the adult Camille Saint-Saëns was – literally – an odd bird.  The music critic Pierre Lalo has left us with this description: “He was short and strangely resembled a parrot: the same sharply curved profile; a beak-like, hooked nose; [with] lively, restless, piercing eyes.  He strutted like a bird and talked rapidly, precipitously, with a curiously affected lisp.”  In fact, Saint-Saens was as famous for his nose as Beethoven was for his hair.  When he concertized in the United States during the 1906-1907 season, Philip Hale wrote in the Boston Symphony program book: “His eyes are almost level with his nose.  His eagle-beak would have excited the admiration of Sir Charles Napier, who once exclaimed, ‘Give me a man with plenty of nose!’” Please: heaven forbid I should be accused of nasal-shaming here; we should just know about Saint-Saëns second most distinguishing feature before we move on.  His principal distinguishing feature was his prodigious genius, a genius […]

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Music History Monday: 710 Ashbury Street, San Francisco, California

Before we get to the central topic of today’s post – that being a particular address in San Francisco – we would wish a most happy birthday to someone we only know by his nickname.  Please: no looking ahead and peeking! Today we wish a happy 71st birthday to the English singer, songwriter, bassist, and actor Gordon Matthew Thomas Sumner, CBE (“Commander of the Order of the British Empire”).  He was born at Sir G. B. Hunter Memorial Hospital in Wallsend, Northumberland, England.   He grew up near the shipyards there in Wallsend, which itself is located just outside of Newcastle-upon-Tyne on the east coast of northern England.  The eldest of four kids, his mother Audrey was a hairdresser and his father Ernest a milkman. Our birthday boy took up the guitar as a child, but as music didn’t pay the rent, he worked as a bus conductor, a construction worker, a tax officer and, after having attended the Northern County College of Education (today known as Northumbrian University) from 1971 to 1974, he received a teaching credential.  He went on to teach for two years at St. Paul’s School in Cramlington, some 9 miles north of Newcastle-upon-Tyne.   His […]

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Music History Monday: In a Class by Himself

We mark the birth on September 25, 1932 – 91 years ago today – of the pianist Glenn Herbert Gold, in Toronto, Canada.  (Yes, the surname on “Glenn Gould’s” birth certificate is “Gold.”  When the young guy was seven years old his family began informally using the surname “Gould,” though Glenn himself never formally changed his name from “Gold” to “Gould.”)  He died there in Toronto on October 4, 1982, at the age of fifty. Superlatives Cut Two Ways! I would observe that ordinarily, when we refer to someone as being “in a class by themselves,” it is usually understood as a compliment: that someone is “one of a kind”; “unique”; “sui generis”; “without equal”; sans pareil”; and so forth. But in fact, superlatives such as these can cut two ways, and are consequently not necessarily complimentary in their entirety.   For example. Tyrus Raymond “Ty” Cobb (1886-1961), the so-called “Georgia Peach” was – as I trust we all know – a baseball player during the Deadball Era (circa 1900-1920).  He was a transcendent baseball genius (as you know, I do not use the “g-word” – genius – lightly); he was truly “one of a kind”; “unique”; “sui generis”; “without […]

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Music History Monday: Jimi Hendrix and the 27 Club

We mark the death on September 18, 1970 – 53 years ago today – of the American guitarist, singer, and songwriter James Marshall “Jimi” Hendrix, at St. Mary Abbots Hospital in London. He was born in Seattle, Washington on November 27, 1942, making him 27 years old at the time of his death, something we will discuss later in this post. Creating and Mastering a New Idiom “Top ten” lists are entirely subjective and thus often irrelevant. But they can be informative when they agree and as such, indicate a consensus. Here are a few such lists of rock ‘n’ roll guitarists, in which I’ve cut to the chase and listed only the “top four.” Rolling Stone, “100 Greatest [Rock] Guitarists”: Writing in Rolling Stone, the American guitarist, singer, songwriter, and political activist Tom Morello explains: “Jimi Hendrix exploded our idea of what rock music could [italics mine] be. His playing was effortless. There’s not one minute of his recorded career that feels like he’s working hard at it – it feels like it’s all flowing through him. He seamlessly weaves chords and single note runs together and uses chord voicings that don’t appear in any music book. His riffs […]

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