Robert Greenberg

Historian, Composer, Pianist, Speaker, Author

Music History Mondays – Page 31

Music History Monday: Don Giovanni

On October 29, 1787 – 221 years ago today – Wolfgang Mozart’s opera Don Giovanni received its world premiere in the Bohemian capital of Prague. That premiere was – and remains – Mozart’s single most triumphant first performance.  In 1777, the 21 year-old Mozart wrote his father: “I have only to hear an opera discussed, I have only to sit in a theater, hear the orchestra tuning their instruments – oh, I am quite beside myself at once.”  The opera house in Mozart’s day was something more than it is today. It was a combination theater; Super Bowl half-time show; Rock concert; carnival mid-way; high-end fashion show; high-tech IMAX-style movie palace; theme park; and a special effects extravaganza: in sum, a total-sensory-immersion facility. In a pre-electronic age, the opera theater was the ultimate virtual reality, where things could happen and be seen and be heard that very simply could not happen, be seen or heard anywhere else. Opera lighting and stage machinery represented cutting-edge technology in the 17th, 18th and 19th centuries, and the production crews at major opera houses in Paris, London, Hamburg, Dresden, Rome, Venice, Naples, Prague, and Vienna were the Industrial Light and Magic, the Pixar of […]

Continue Reading

Music History Monday: The First Rock Star

Party hats and noisemakers at the ready, today we celebrate the birth of Ferencz (that’s Hungarian; Franz in German) Liszt. (Woohoo! Let’s make some noise!) He was born on October 22, 1811 – 207 years ago today – in the market town of Doborján in the Kingdom of Hungary. (Today the town is known as Raiding and it is located in Austria.) Here’s something we read/hear with tiresome frequency: “Like, yah, Mozart was the first ROCK STAR!” No, he wasn’t. He was an intense, brilliantly schooled composer whose music was increasingly perceived by his Viennese audience as being too long and complex. Okay; how about: “Beethoven was the first ROCK STAR!” Oh please. One more try. “Liszt was the first ROCK STAR!” That he was. (Or perhaps the second, if we choose to consider Liszt’s inspiration, the violinist Niccolò Paganini to be the first true “rock star.”) But: Paganini or no, in terms of Liszt’s looks and his fame, the tens-of-thousands of miles he travelled on tour and the thousands of concerts he gave; in terms of the utterly whacked-out degree of adulation he received, the crazed atmosphere of his concerts, and the number of ladies (and perhaps men as […]

Continue Reading

Music History Monday: You’re the Top!

Today we mark the death of the songwriter and bon vivant par excellence Cole Albert Porter. He was born on June 9, 1891, and died at the age of 73 on October 15, 1964: 54 years ago today. We begin with what is, I think, is a great story. In September of 1939, Igor Stravinsky travelled from his home in Paris to Cambridge Massachusetts, there to be the Norton professor at Harvard for the school year. By the time his residency ended in June of 1940, France was being overrun by the Nazis. Stravinsky and his wife Vera had a choice to make: go back to Europe and take their chances or stay in the United States where the Hollywood studios were begging Stravinsky to head west. Not a tough choice. Stravinsky instantly became a Hollywood celebrity and his music a sought-after commodity. Disney used The Rite of Spring for the dinosaur sequence in Fantasia. Barnum and Bailey’s circus commissioned Stravinsky to write a work for its dancing elephants. The producer-huckster Billy Rose commissioned a work called Scènes de ballet. After the premiere of Scènes de ballet, Rose telegraphed Stravinsky: “YOUR MUSIC GREAT SUCCESS STOP COULD BE SENSATIONAL SUCCESS IF […]

Continue Reading

Music History Monday: “Ma: I got the Job!”

On October 8, 1897 – 121 years ago today – Emperor Franz Joseph I of the Dual Monarchy of Austria and Hungary officially named Gustav Mahler Director of the Vienna Court Opera.  For the 37 year-old Mahler, it was the culminating moment in what had been (and sadly, what would continue to be) a very difficult life. He was born on July 7, 1860 in the village of Kalischt, in central Bohemia, in what was then part of the Austro-Hungarian Empire and is today part of the Czech Republic. Mahler’s was a lower middle class Jewish family; they spoke German and were thus a double-minority among their predominately Catholic, Czech-speaking neighbors.  Mahler grew up abnormally sensitive and morbidly imaginative; a constant witness to his father’s brutality and his mother’s helplessness. According to Henry Raynor:  “All the Mahler children were incapable of facing reality and suffered from a sense of inevitable tragedy.”  Young Gustav’s sense of morbid tragedy was also a function of the disastrous mortality rate of his siblings. Of the fourteen Mahler children, seven died in infancy and only four (including Gustav) lived into full adulthood. Mahler’s musical talent was prodigious. He attended the Vienna Conservatory from 1876 to […]

Continue Reading

Music History Monday: Whoa

When it comes to a date-oriented blog like this one, there are days and then there are days.  Over the two-plus years since I began this post, I have found that most days offer up one or two major (or semi-major) events in music history. These are the good days, the easy days to write about. Some days are harder as events of any note are few and far between. There are days – more frequent than you might think – during which virtually nothing of interest occurred; when that happens I’ve either juked forward or back by a day or just taken the opportunity to bloviate.  Finally, every now and then, there is a day so filled with notable musical anniversaries that the mind reels and the bladder weakens at the thought of choosing just one, two, or even three events to write about. For reasons coincidental, astrological, or just whatever, October 1 is just such a day in music history: the wealth of events – major and minor – that occurred on this date is crazy. I cannot and will not choose; let’s just wallow, in chronological order. On October 1, 1708 – 310 years ago today – […]

Continue Reading

Music History Monday: The Colonel

Let us contemplate the word “colonel.” No, we’re not talking about a discreet unit of corn, “k-e-r-n-a-l”; rather, we’re talking about the military rank and honorific of “colonel”: “c-o-l-o-n-e-l.” The word itself is of Italian origin; its root is the word colonna, which means “column”; in this case, as in a “column of soldiers”. By the sixteenth century, the word “colonello” was employed as a high military rank – someone who commanded a “column of soldiers” – in the various armies of the Italian city-states. Just as the French adapted Italian cuisine to create their own (that was thanks to the Florentine Princess Caterina Maria Romola di Lorenzo de’ Medici, who as Queen of France from 1547 until 1559 and Queen Mother from 1559 to 1589 brought her cooks and the fork to France, giving birth to French cuisine); yes, just as the French made Italian cuisine their own, so they borrowed the Italian word “colonello” and made it their own, spelling (and pronouncing) it “coronel” – “c-o-r-o-n-e-l”. By the seventeenth century, the English military had adopted the word as well, employing the French pronunciation – coronel – but the Italian spelling: colonel. The rank of colonel in the United […]

Continue Reading

Music History Monday: I Don’t Know About You But I’ve Always Wondered About That

Today we mark a technological event that came and went with hardly a murmur. It was 87 years ago today – on September 17, 1931 – that the RCA Victor Company demonstrated the first long-playing (or “LP”) record to rotate at 33-1/3 rpm (or “rounds per minute”). The demonstration took place at the Savoy Plaza Hotel in New York City. (Because we need to know: the 33-story Savoy Plaza was located at 767 Fifth Avenue. It overlooked Central park at Fifth Avenue and East 59th Street. Built at a cost of 30 million dollars, it opened in 1927 and met the wrecking ball in 1965.)  The tony location of the demonstration aside, listeners were generally unimpressed. The first 33-1/3 rpm records offered no significant sonic improvement over the 78 rpm records that were standard at the time, and despite the fact that more music could be packed onto a disc spinning at 33-1/3 rpm, the new technology eventually fizzled. It wasn’t until 1948, when Columbia/CBS introduced a vastly improved 33-1/3 rpm LP that the new technology took off. (For our information: Columbia/CBS unveiled their new record technology at New York’s Waldorf Astoria on June 18, 1948. Take THAT, Savoy Plaza!) […]

Continue Reading

Music History Monday: Still Number One in Our Hearts

I was just two years old – and therefore too young to notice or remember – when Elvis Presley made his first appearance on The Ed Sullivan Show on September 9, 1956. More that sixty million people tuned in to watch, a number that dazzles to this day. (In fact, they saw neither Elvis nor Ed Sullivan in Sullivan’s New York Studio. Presley was filming his first movie in Hollywood, so he performed from a local CBS studio. Ed Sullivan was on medical leave, recovering from a head-on collision suffered a few weeks earlier. It was the Oscar-winning English actor and director Charles Laughton who subbed for Ed Sullivan that evening. He introduced Elvis by saying, “Away to Hollywood to meet Elvis Presley.” The scene shifted to Elvis, wearing an absurd plaid jacket that made him look like a used car salesman. After acknowledging that being on the Sullivan show was “probably the greatest honor I have ever had in my life,” he began his mini-set with a performance of “Don’t Be Cruel”.)  So I missed out on Elvis’ spectacular national premiere. But I was old enough to watch and remember the next epochal event to occur on the Ed […]

Continue Reading

Music History Monday: One of a Kind!

The phrase “one of a kind” would seem fairly useless when applied to the arts in general or music specifically. Really, aren’t all great musical artists – by definition – “one of a kind?” Monteverdi, Purcell, Sebastian Bach, Mozart, Beethoven, Wagner, Stravinsky, Springsteen, Weird Al?  Yes: these good folks (and many, many, MANY more) are indeed all “one of a kind.”  But then But then there are those very few who are SO truly weird (sorry Maestro Yankovic; you are not really that weird), SO far out, SO iconoclastic, so radical, subversive, and idiosyncratic that they stand utterly solitary, disconnected from anything and everything but themselves; singular, detached, ALONE: truly, one of a kind. Such a person was the American experimenter, instrument builder, guru, high priest and “composer” – and that’s “composer” in scare quotes – Harry Partch, who died on September 3, 1974 – 44 years ago today – in San Diego, California, at the age of 73. Harry Partch was one of a kind. He rejected the entire Western musical tradition and created, in its place, an alternative musical universe for which he proselytized and composed. He created a tuning system that divided the octave into 43(!) different […]

Continue Reading

Music History Monday: Joaquin and Lester

Today we recognize the birth and the death of two musical masters from entirely different times and places who nevertheless, by the most extraordinary of coincidences, share the same nickname: the jazz tenor saxophonist Lester “Prez” Young and the Franco-Flemish composer Josquin “des Prez” Lebloitte. Lester “Prez” Young Lester Willis Young was born on August 27, 1909 – 109 years ago today – in Woodland, Mississippi. He was the consummate jazz hipster, who played “cool” long before “cool jazz” was recognized as a genre of jazz. Known in particular for his long association with Billie Holiday, Lester Young died on March 15, 1959, at the age of 49. Josquin des Prez Josquin des Prez (or “Desprez”; we will talk about the surname Lebloitte in a moment) was born circa 1450 and died on August 27, 1521: 497 years ago today. He was, simply, the greatest and most respected composer of his time. That he is not still a musical household name speaks to the fickleness of history and not to his music, which is superb. Josquin was the first composer to become a legend after his death, the first to have his music widely disseminated thanks to the newly invented […]

Continue Reading