I will be forgiven, please, the overtly autobiographical nature of todays post. In a number of ways I was something of a late-bloomer as a musician. Sure, I started piano at a fairly young age and played the “classics” that come with piano lessons; yes, my grandmothers – one a professional pianist and the other a professional actress – exposed me to a wide range of piano music and orchestral music when I was growing up; and indeed, my father’s record collection was an unending delight. But what passed for my “music education” as a child was a slapdash affair, and in fact, I knew very little. When I got into jazz at the age of 14 (or so) I abandoned practicing my dead Germans entirely. So when I went away to college and suddenly encountered kids who went to high school at Juilliard Prep; or had just returned from participating in the music camps/festivals at Aspen, Tanglewood, Graz, and Spoleto; and met classmates like Stefan Kozinski (1953-2014), who already had a thriving career as a professional organist and piano soloist, and Eric Moe (born 1954), who had memorized all of Beethoven’s music and could give you a proper opus […]
Continue Reading