This is a long piece. Its length is a function of intersecting thematic lines: a number of topics we’ve been discussing on the site – tempo and metronome markings in general; tempo and metronome markings in Beethoven’s symphonies; the piano, pianists, and the virtuosity of Franz Liszt (in particular) – all intersect in this post
While I write these words I’m listening to Katsaris’ performance of the breakneck fourth movement of Mr. B’s Symphony No. 4, and I’m doing everything I can to focus on typing and not jump out of my skin! In Katsaris’ hands, the symphony is
I’m going to make a statement, for some an imprudent statement. Here it is: Franz Liszt was, almost certainly, the greatest pianist to yet have lived.
Please, before anyone goes Krakatoa on my derriere, allow me – per