I thought it might amuse you to see some photos and videos that document the process: the set, the crew, and the nearly finished product.
First: a proper hats off to Renaissance man and jack-of-all-trades Jeff Hunsinger. Jeff is the General Manager (boss man) of The Phoenix Symphony, and as General Manager he runs the show: he tends to the musicians (talk about potentially herding cats!), hires the soloists, negotiates the contracts, schedules performances and rehearsals, oversees the programming, provides a safe haven (and for all I know, provides full-body massages) for his music director/principal conductor Tito Muñoz; manages the other departments like marketing, development, and outreach, etc. etc. etc. On top of this, he’s a father of two and the husband of the symphony’s principal cellist. And yes: he’s also my executive producer, director, camera operator, chief video and sound editor, gaffer (lighting electrician), and sound engineer. Somehow, Jeff found the time to rent the video/audio/lighting/digital recording equipment; set it up in the rehearsal hall in the basement of the Phoenix Symphony Hall; run the equipment during the actual recording; break it down after we finished recording; and is – as I write these words – presently editing all 22 videos into finished pieces.